Monthly Archives: April 2018

In October, Varun Dhawan cements his credibility as a performer; it’s a role devoid of filmi

The compliment ‘career-best performance’ gets tossed around so much that it’s in danger of losing it’s meaning. But Varun Dhawan’s performance as the disinterested and surly understudy Danish ‘Dan’ Walia in Shoojit Sircar’s exquisite October is a career-defining work. Decades from now, when Varun’s movie career is being written about, this outing will definitely find a mention.

By now, Varun has already proved that he is a consummate Bollywood hero. There is no doubt that he can dance up a storm; take off his shirt and make girls swoon; beat up baddies, and indulge in tomfoolery to deliver laughs. Commercial successes like ABCD, Dhishoom, Judwaa 2 and Humpty Sharma Ki Dulhania have meant that his six years in the business has been smooth sailing.

In a bid to expand his repertoire, he first dipped his toe into the off-center film pool with Sriram Raghavan’s twisted revenge thriller, Badlapur. Having only played versions of the easy-breezy ‘hero’ until this point, Varun made everyone sit up with his performance as Raghu, the everyman-turned-vigilante, opposite the always-fantastic Nawazuddin Siddiqui. As the character ages, the transformation is not merely physical. Varun imbued the older Raghu with melancholy and sadness without losing the rage in his eyes. Although Badlapur had a mixed critical reception due to a weak final act, it was universally regarded as a win for Varun.

Varun Dhawan/Image from Twitter.

If Badlapur was a step in the right direction, his latest release October cements his credibility as a performer. When we first meet Dan, he is a disinterested, faceless hotel employee changing sheets, polishing silver and killing mosquitoes. He lives life on autopilot. He hates what he does but does it nevertheless because he has no other choice. He is a confusing mix of insolence and earnestness. When Dan slips up, his boss tells him to be more like Shiuli, a fellow trainee who he barely knows. Unlike Dan, she is the perfect employee – hardworking and focused. A freak accident renders her comatose and inextricably links their futures.

This is a story of love and loss that takes it’s time unfolding. Working from a script by Juhi Chaturvedi, a longtime collaborator of Shoojit, October is the kind of film you won’t be able to stop thinking about for a long time. Big shout-out also to Shantanu Moitra’s unflashy score and Avik Mukhopadhayay’s evocative cinematography. But it’s a never-better Varun, in a role that’s completely stripped of all filmi affectations, who gives the film a center of gravity.

Hunched over and shuffling, Dan is the most ‘regular’ character the actor has played till date. He is so ordinary that he goes unnoticed as he waits tables, chops vegetables and replenishes toiletries. There is a stillness in how Varun plays Dan that makes his outing as Raghu in Badlapur seem flashy. His coming of age is just as undramatic. There is no explanation for why Dan is overwhelmed by Shiuli’s accident and why he can’t tear himself away from her.

Even as her family rallies around, trying to make sense of the tragedy, Dan is just always around. Somewhere in the background, he is always present. One of the unwritten rules of being a Bollywood hero is to never get lost in the background. That Varun not only picked a character so understated this early in his career, but also delivered in spades is a reason to celebrate.

October box office collection: Varun Dhawan-starrer records substantial growth on day two, mints Rs 7 crore

Varun Dhawan’s October, which is also being touted as his best performance so far, had a slow opening. However, Shoojit Sircar’s film exhibited immense growth on the second day of its release. While on the first day, the film had made Rs 5.04 crore, it recorded a growth of 48.21 per cent and minted Rs 7.47 crore, according to trade analysts.

october 825

Analysts have linked the drastic growth of the movie at box office to increasing interest in metropolitan cities. Predictions about the film’s stability at the box office in the coming week have also been made.

Also starring Banita Sandhu, October is bittersweet tale of attachment. Dhawan and Sandhu play hotel management trainees in the film and work at the same hotel together. However, things take a drastic turn when Sandhu Shiuli meets with a horrific accident and is left in coma. The incident hits Dhawan’s Dan hard and he finds himself deeply attached to a wheelchair-confined Shiuli. The good-hearted Dan also finds himself perturbed about the fact that the people around are not as affected by Shiuli’s condition as he is.

The film was released on 13 April.

John Abraham reportedly opts out of espionage spy-thriller Romeo Akbar Walter; will film be shelved indefinitely?

Romeo Akbar Walter has been facing troubles ever since it was first announced. Sushant Singh Rajput was supposed to play the lead in the spy-thriller movie, but later opted out citing prior commitments as the reason. It was later announced that John Abraham will be playing the lead in Romeo Akbar Walter; the actor himself made an official announcement on his official Twitter channel.

But now, according to a report in DNA, John Abraham has also pulled out of the project. DNA quoted a source as saying, “John allegedly felt RAW’s storyline is similar to that of Alia Bhatt’s Raazi. When he watched the trailer of Meghna Gulzar’s film, which released a few days ago, he was convinced about it. It’s just that RAW is from a man’s perspective.” Raazi is the tale of an Indian woman who is married off to a Pakistani boy who hails from a family of army-men. The woman’s father asks his daughter to be the “eyes and ears of India” in the neighboring country.

John Abraham/Image from Twitter.

A different source is quoted saying that John Abraham’s movie is also about an Indian spy who joins the Pakistani armed forces to relay information to the Research & Analysis Wing (RAW). Even though the team wanted to alter the script a bit, the actor wasn’t convinced as the main storyline would still be the same. Hence, the source adds, John politely asked the makers to move on.

DNA quotes another source who provides a different story. According to the source, the movie’s rough budget without publicity and promotion came up to Rs 40-45 crore which is a big figure to recover with John in the lead. With John signing the deal for Rs 11 crore as his remuneration, the makers scrapped the idea for now. If they plan to make RAW sometime in the future, they will do it with a bigger star who can ensure a good return.