The attire and persona of Ashwini Iyer Tiwari gives out an air of an artistic presence.
Sophomore director Ashwini Iyer Tiwari, whose debut film Nil Battey Sannata was a whiff of fresh air, is back again with Bareilly Ki Barfi and this time too her story is rooted in a small town.
The fascination for India’s small towns for this commercial arts graduate from Mumbai’s Sophia Polytechnic is apparent. “It also happens because of my experience in advertising. When you are working in advertising, you have to do a lot of research and a lot of time is spent with planners. All those experiences with the passage of time get engraved in your mind,” she says.
Her interest in the study of personality and interests of an individual compelled Ashwini to start her own page on Facebook titled No Makeup Story. On her page, the director makes effort to read and write her observations about random people from various strata of society. “The entire aspect of my page is to know who these people are,” says Ashwini.
Born and brought up in the metropolis of Mumbai, Ashwini harbors the mindset of a small town girl. At the slightest opportunity, she runs away to the serene surroundings of Chembur where her parents live. It’s evident that her mind is still trapped in an era when the Internet was not the buzzword. “I would say I am trapped in the whole idea of simplicity and in the idea of slow living,” she says.
It was sheer luck that the day she finished her debut film was also the day she got the germ for Bareilly Ki Barfi. “I was returning back to Mumbai after finishing the last schedule of Nil Battey Sannata. I was at the Delhi airport and picked up The Ingredients of Love by French author Nicolas Barreau. I started reading the book when I boarded the flight and there was a paragraph that really appealed to me, which later on became the core idea of Bareilly Ki Barfi.”
But when she reached home that day and sounded off the idea to her filmmaker husband Nitesh Tiwari, the conversation was not a pleasant one, recalls Ashwini.
“Nitesh said to me that you have just finished a film and have just come back home, that too with an idea for your next film. He told me that I was crazy,” she laughs. The hook line for her next film was so strongly now etched in the director’s mind that that when the couple set off for their annual vacation the next day, the book too found a place in her handbag. “I took the book along for my holiday and Nitesh had no option but to read that book. I told him to see what can be done with the plot line. We later on discussed about the possible plot and eventually figured out how to go about it.”
Ashwini believes that her filmmaking sensibility is rooted in the films of Hrishikesh Mukherjee, Basu Chatterjee and Sai Paranjape. “I love the films of Sai and Hrishi Da. Their filmmaking sensibility stemmed from their own simplicity. The characters, which we encounter in their films, inspire me a lot,” she informs.
Becoming another Sai Paranjape is one ambition that Ashwini often thinks about and thus relentlessly works for it. “It’s my wish that in next few years people say this country has found a new Sai Paranjapem” she says.
After the critical acclaim that Nil Battey Sannata gathered last year, and the subsequent mega success of Dangal, one term which the duo might get to hear a lot in the coming days would be that of the ‘power couple’ of the film industry. When asked about the same, Ashwini cringes in the beginning but goes ahead to give a plausible explanation. “People might say so because we are two individuals and we both happen to be film directors. Something similar happened when we were part of the advertising fraternity too. We both managed awards at Cannes in the same year. While he got his for a radio ad, I got mine for a print campaign. We are only doing our respective work and trying to put in our best foot forward.”
Ashwini’s two films have featured only actors and not stars. “I have never thought about the fact that I work with actors, while Nitesh works only with stars. I come from a very different school of thought. It’s the actors who have to become characters and not vice versa. Tomorrow if I get a script and if I want Aamir Khan for that film, I will definitely approach him. The access factor has now become better,” says Ashwini, laughing.