Tag Archives: cares

Akshay Kumar donates Rs 25 crore to PM Narendra Modi’s CARES fund to fight coronavirus war

Akshay Kumar announced that he will contribute a sum of Rs 25 crore to Prime Minister Narendra Modi’s recently-announced CARES fund to fight the novel coronavirus pandemic.

The 21-day nationwide lockdown, announced by Prime Minister Narendra Modi to fight the novel coronavirus pandemic, has brought the country to a standstill. Ever since the number of positive coronavirus cases increased, many Bollywood film personalities have been constantly appealing to their fans to follow the rules put out by the government.

On March 28, PM Modi announced the CARES fund requesting for donations to fight the coronavirus war. Akshay Kumar, who has been vocal about Covid-19, is one of the first actors to pitch in and donate a sum of Rs 25 crore to the PM-CARES fund.

He announced the same on his Twitter page and wrote, “This is that time when all that matters is the lives of our people. And we need to do anything and everything it takes. I pledge to contribute Rs 25 crores from my savings to @narendramodi ji’s PM-CARES Fund. Let’s save lives, Jaan hai toh jahaan hai.

Nearly 1000 people in India have contracted the novel coronavirus, while 21 people have lost their lives. Announcing the CARES fund, PM Modi said that the fund will help the people of India during such distressing times in future.

He further added that the PM-CARES fund will accept micro-donations. “Let us leave no stone unturned to make India healthier and more prosperous for our future generations,” PM Modi said.

Akshay Kumar has been quite active on Twitter requesting people to stay indoors and practise social-distancing to curb the further spread of Covid-19. A few days ago, he also put out a video on his Instagram profile, in which he blasted the violators who failed to adhere to the rules of the lockdown.

Munna Michael movie review: Who cares about logic when you have dance, action courtesy Tiger Shroff?

It’s 1995. An aging dancer with a disturbing Michael Jackson hangover is removed from the chorus line of a dance troupe. Michael (Ronit Roy) is devastated. He’s seeking solace at the bottom of a bottle but fate has him wander past an abandoned baby. Michael adopts the child and raises him as Munna.

Inspired by his father, Munna Michael (Tiger Shroff) becomes a dancing machine and makes a quick buck by pulling cons on the dance floor. His inspiration is also Michael Jackson.

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It’s bad enough that our choreographers are stuck in a time warp – they either design sequences aping Jackson or are rehashing hip-hop moves from the mid-90s. But here we have a film where even the writer and director are holding on to nostalgia, not just in terms of inspiration and choreography but also a story line.

Munna Michael takes the comic route and the cold, corpse-like narrative comes alive with the introduction of the ever-reliable Nawazuddin Siddiqui. Siddiqui plays Mahinder Fauji – a hotelier and a thug with a soft corner for a dancer called Dolly (Nidhhi Agerwal). He believes the best way to impress her is by learning to dance, and for this job he hires Munna.

Let me explain that by this time Munna has left his ailing father in Mumbai and moved to Delhi to continue his con-on-the-dance-floor act. We don’t know what his father is suffering from and why Munna cannot think of any other career option but being a dancing cheat. But there you have it.

The moment Munna sets eyes on Dolly, it’s love at first shimmy and shake. Dolly’s dream is to win a dance show on TV. The men believe she’s a dancing queen. But Agerwal dancing is passable at best with her studied moves making her barely convincing as a champion dancer. Maybe she should have joined Munna’s dance classes! Alongside her, Shroff’s robotic moves almost look fluid.

Munna is assigned the job of helping Mahinder court Dolly and then, when she flees from Delhi, Munna must bring her back to Mahinder. What Dolly wants is, of course, of little consequence to Mahinder giving Munna an opportunity to deliver a lesson about that. Fortunately Mahinder’s obsession doesn’t become too creepy as the character is shown to be mean as nails otherwise but soft when it comes to matters of the heart. Siddiqui looks like he’s really enjoying the dance lesson sequences even as he flubs the steps.

Director Sabbir Khan and writer Vimi Datta have designed a film that is serviced by Shroff’s two skills – dancing and action. In spite of being predictable story with slack storytelling, Khan once again (Heropanti, Baaghi) showcases just what is needed to keep Shroff’s fans satisfied.

Put in enough of these two elements and who cares about logic, story, acting or originality.