Tag Archives: dangal

Virushka, Baahubali, Dangal, Padmavati: A complete A-Z glossary for everything Bollywood got up to in 2017

Ah, 2017! A year that kept us Bollywood watchers on our toes, busy as bees. If only it would slow down some! While that shows no signs of happening, here’s a quick recap of all the particularly attention-grabbing things Bollywood said or did over the past 12 months, arranged here as an A to Z glossary for your reading convenience. Don’t stop till you get to the end!

A

Azaan

Awoken from his slumber by the sounds of the azaan from a nearby mosque, a disgruntled Sonu Nigam shot off a tweet that had TV channels buzzing, talking heads talking, and debaters debating. Matters reached a ‘head’ (ahem) when a fatwa was issued against Sonu by a cleric, who promised a princely sum to anyone who’d shave the singer’s hair and parade him around the country. Sonu shaved his hair off himself and demanded the bounty. Last heard, he still tosses and turns in bed, bemoaning the azaan and the loss of his silken tresses.

B

Baahubali 2: The Conclusion

It came, it saw — and it conquered the box office. Long before it petered to a stop with its handsome earnings of Rs 1,700 crore, Baahubali 2: The Conclusion was already a sensation. That was due, in no small part, to the success of the original film. But SS Rajamouli, Prabhas, Anushka Shetty, Prabhas and Ramya Krishnan created magic yet again in the franchise’s concluding part — a few controversies notwithstanding in the run-up to its release. Not only did Baahubali 2 go on to become (for a while, until Dangal‘s China release) the highest-earning Indian film, it also had a slew of other records to its credit: first film to cross Rs 1,000 crore, fastest Rs 100 crore earner, only Hindi film to cross Rs 500 crore in domestic collections and so on.

For Bollywood watchers, 2017 marked the best of time,s the worst of times

C

Central Board of Film Certification

After a highly controversial tenure, CBFC chief Pahlaj Nihalani was replaced with adman-lyricist Prasoon Joshi. The film industry heaved a sigh of relief, Nihalani went on to produce the skinfest Julie 2, and Joshi settled down to the task of balancing creative freedom with censorship laws.

D

Dangal

Dangal should have been 2016’s biggest news. And it was. Then, it opened in China over May 2017, and became the talking pint for this year as well. From its original earnings of Rs 700+ crore, Dangal‘s dream run in China (it would collect over Rs 1,200 crore from that territory alone) helped catapult it past PK and Baahubali 2 to become the highest earning Indian film of all time. Odes were written to Aamir Khan’s genius, and Bollywood had the shining figure of Rs 2,000 crore to aspire to.

E

Ed Sheeran

Also, eugenics

First, there were the million variants of ‘Shape Of You‘. Then, there were the hysterical fans that greeted him when he performed in Mumbai. Just when Ed Sheeran began to think that India (and Indians) had treated him pretty damn well, he was subjected to a Bollywood party (thrown by Farah Khan) that made him the butt of all memes. As photos of a somewhat dazed-looking Sheeran began to do the rounds of social media, Twitterati (who hadn’t been invited to the party) wondered if he’d been held hostage by the celeb crowd, or if he made do with wearing trick glasses that had eyes painted onto them (to cover up the fat that he was snoozing behind them).

As regards, ‘euegenics’, see N for Nepotism.

F

Fairness creams

In a year that saw rampant attacks on Africans living in India, Abhay Deol chose to highlight the casual racism of Indians by taking aim at fairness creams. He ‘named and shamed’ celebrities who did endorse these creams on his social media account — and got into a minor tiff of sorts with Sonam Kapoor, who pointed out that Abhay’s cousin Esha Deol had also appeared in a commercial for said unguents.

G

Gurmeet Ram Rahim Singh Insaan

Perhaps the self-proclaimed godman had an inkling that his luck would soon run out. And s, before he received his 20-year jail sentence in the latter half of 2017,  MSG (the ‘Messenger of God’) squeezed in not one, but two films that had a theatrical release. Hind Ka Napak Ko Jawab — MSG Lionheart 2 and Jattu Engineer were works of such inspired creativity, that we do not have words to describe them. We’ll just leave you with this little gem instead, and let MSG do the talking:

H

Hrithik Roshan

After it dominated the entertainment industry discourse in 2016, the Hrithik Roshan-Kangana Ranaut feud was back in the spotlight. This time, because of a long and impassioned social media post written by Hrithik Roshan, in which we asked why there was no trace of an alleged seven-year-long passionate affair, except for a series of one-sided emails that had already been sent to the Cyber Crime Cell? Kangana responded, and the slugfest continued.

I

IFFI

The International Film Festival of India (or IFFI as it’s known to one and all) found itself talked about less for its heavy star presence and programming than it did for what was seen as an attempt at heavy-handed censorship. First, the films S Durga and Nude were dropped from the festival line-up, prompting IFFI jury members Sujoy Ghosh and Apurva Asrani to resign. Then, despite a Kerala High Court order directing the IFFI officials to screen S Durga, director Sanal Kumar Sasidharan was kept on tenterhooks until the eleventh hour of the fest as to the fate of the screening. Amid a notice issued by the regional office of the CBFC in Thiruvananthapuram, S Durga was not screened after all.

J

Justin Bieber 

Also, jauhar and Johar

Jagga Jasoos

The ‘Sorry‘ singer’s much-hyped concert in Mumbai came down to a mostly lip-synced performance. But apart from his lacklustre onstage act, Justin Bieber did manage to set off some fireworks between Sonakshi Sinha and Armaan Malik, who had a nasty Twitter feud over whether or not Bollywood actors should sing professionally.

For jauhar, see P for Padmavati; check N for Nepotism for Johar; and U for under-performers for Jagga Jasoos

K

Kangana Ranaut-Karan Johar

When Rangoon stars Saif Ali Khan and Kangana Ranaut (joined later by Shahid Kapoor) appeared on Koffee With Karan, the episode began normally enough. But then Kangana got into her groove, calling Karan out for having made fun of her when she first became part of the industry, and labelling him the ‘flag-bearer for nepotism’. And thus was triggered an exchange that kept Bollywood watchers engaged for several more months to come.

Johar had some good news to celebrate as well this year: see under M for memoirs and Y for young ‘uns.

L

Lipstick under my Burkha

Also, legs

The film deemed too ‘lady-oriented’ by the CBFC finally released to much acclaim across India this year. Lipstick Under My Burkha triggered much-needed conversations about women and sexuality, while its triumphant path to the theatres was an inspiration on its own.

Legs — specifically Priyanka Chopra’s, when she met Narendra Modi. When PeeCee and the Prime Minister happened to be in Berlin at the same time, the actress dropped by for a meeting. The off-white dress she chose to wear was demure enough, but for some ‘patriotic’-minded Twitterati, Priyanka’s bare legs were too much to bear, and they launched a vicious attack against the actress. Her reply? Another image of herself, with her mother Madhu Chopra, both of them showing off their shapely legs. Scoreboard — PeeCee: 1; Sanskaari Trolls: 0.

M

Mahira Khan

Manushi Chhillar

Also, M for Memoirs – Karan Johar, Rishi Kapoor’s

Mahira Khan’s Raees released in India in January. The actress, however, could neither participate in the film’s promotions, not celebrate her cross-border release, because of the boycott on Pakistani artistes issued in 2016 after the Uri attacks. Later in the year, photos of Mahira — sharing a smoke with Ranbir Kapoor while on holiday in New York — went viral, causing a further backlash against the actress. Twitterati picked over everything from the act of her smoking, to her choice of clothing (a casual, white halter-neck dress) and companion (a Bollywood actor).

Manushi Chhillar brought home the Miss World crown after a gap of 17 years and quickly became India’s favourite ‘daughter’.

The memoirs of Rishi Kapoor (Khullam Khulla) and Karan Johar (An Unsuitable Boy) had readers and Bollywood fans talking for a long, long time with their mix of style and unabashed truth-telling.

N

Nepotism

Also, National Awards; North-eastern cinema

Triggered by the Kangana-Karan spat, ‘nepotism’ became the word most commonly brought up in discussions about Bollywood (for a while at least). At IIFA, Saif, Karan and Varun Dhawan put up a skit which took jabs at Kangana and ended with the trio proclaiming: “Nepotism rocks!” Varun issued an apology after the incident, Saif got into discussions of eugenics, and Karan put up Instagram pics of his babies. Many thinkpieces were written, some soul-searching may have been engaged in — what all of it resulted in remains to be seen.

The National Awards witnessed some high drama after Akshay Kumar was named the Best Actor winner for Rustom this year. That filmmaker Priyadarshan — who has been a longtime collaborator of the actor’s — was the head of the jury that awarded Akshay the honour drew much comment.

And the cinema of the North East got some inadvertent (but not unwelcome) attention when Priyanka Chopra called her home production Pahuna the first film to emerge from the region and referred to Sikkim as a state ‘troubled by insurgency’. PeeCee was subjected to a social media backlash and a swift lesson on the North East. Amid calls for her to be removed as the tourism ambassador for Assam, Priyanka issued an apology and the matter was resolved.

O

Om Puri

Om Puri’s demise was among the first celebrity deaths of 2017. The 66-year-old actor was found collapsed at his Mumbai home.

P

Padmavati

A controversy that came to define Bollywood in 2017, the Padmavati row began with director Sanjay Leela Bhansali being roughed up by Karni Sena members while shooting in Rajasthan. The trigger: a rumour that there would be a dream romantic sequence depicted between Rani Padmini (Deepika Padukone) and Allaudin Khilji (Ranveer Singh). From that incident, a major conflagration ensued, which saw death threats being issued to Deepika and SLB, much discussion over Rajput pride and Rajput history, and an indefinite postponement of Padmavati‘s release.

Q

Quarrels

We wish it had been on a Qantas flight just so this entry could have been more alliterative, but even without the aid of such literary devices, the quarrel between Sunil Grover and Kapil Sharma was dramatic enough. On a flight from Australia to India, mid-air, the two collaborators had an argument that led to an inebriated Sharma attacking Grover. Grover walked out of Kapil’s show, leading to a phase that saw its TRPs plummet, the show being taken off air for a while, and Kapil himself entering treatment for stress-related issues.

Another not-so-saucy spat: the one over writing credit for Simran, that ufolded between Apurva Asrani, Kangana Ranaut and Hansal Mehta.

R

Raees vs Kaabil

Also, Rajkummar Rao; Reema Lagoo

Raees vs Kaabil was the big box office clash of 2017 for Bollywood. The Shah Rukh Khan and Hrithik Roshan starrers went head-to-head (or toe-to-toe if that’s the phrase you prefer) at the theatres; the Roshans cried foul, the Raees team (Excel Entertainment + Red Chillies) pleaded helplessness (their film had already been delayed because of the Uri aftermath), and amid furious reportage of the box office numbers, the SRK-starrer pulled ahead.

With starring roles in Behen Hogi Teri, Shaadi Mein Zaroor Aana, Bareilly Ki Barfi, and the Bose web series by ALTBalaji, it was a good year for Rajkummar Rao. Along came Newton, which not only cemented Rao’s position as one of Bollywood’s finest actors today, but also became India’s entry to the Oscars — and 2017 can indeed be considered a year full of high points for Rajkummar.

Tu Tu Main Main and Hum Aapke Hain Koun…! star Reema Lagoo passed away this year, aged 58.

S

Shashi Kapoor

Also, small-town India

Shashi Kapoor, Bollywood’s handsomest leading hero of all time, passed away aged 79. Tears were shed, hearts were broken, and the end of an era was noted.

Small-town India had its moment in the spotlight as Bollywood celebrated stories set outside the metros and tier-I towns. From Toilet: Ek Prem Katha to Babumoshai Bandookbaaz, small-town India provided great characters, settings and stories to Bollywood in 2017.

T

Tubelight

The Salman Khan-starrer was supposed to shine bright, but instead flickered and died out at the box office. Why this deserves an entry of its own? Because when was the last time you remembered a Salman Khan release not being accompanied by a wave of juggernaut-like euphoria that swept everything in its path? Of course, Tiger Zinda Hai has brought some balance back into the world of shell-shocked Salman fans in the time since.

U

Under-performers

Tubelight, Jagga Jasoos, Jab Harry Met Sejal, Rangoon, Raabta, A Gentleman, Chef — 2017 seemed like a graveyard where big-budget/banner/highly-anticipated films went to die. While some received a critical drubbing, others couldn’t bring in the box office megabucks they were expected to. Will 2018 be any better? Such at least, is the hope.

V

Vinod Khanna

Also, Varun Dhawan; Vidya Balan; Virushka

Bollywood bid adieu to Vinod Khanna, who passed away aged 70 after a battle (reportedly) with cancer.

Meanwhile, Vidya Balan and Varun Dhawan had a good year — Vidya for what was widely hailed as a return to form in Tumhari Sulu, and Varun for his moneyspinners (Badrinath Ki Dulhaniya and Judwaa 2) in a year that saw few films cross the Rs 100 crore mark.

For Virushka, see W for weddings.

W

Weddings!

Or rather, *the* wedding. We’re talking about Virat Kohli and Anushka Sharma nuptials of course. Airport sighting, Tuscan getaway, Delhi-Mumbai reception, it seemed like there was no end to the couple’s shaadi-related updates. Not that we’re complaining — rarely have we seen a pair more photogenic than these two. And we’re sure wedding planners are going to see a stream of requests for Virushka inspired events.

X

xXx: The Return of Xander Cage

Following close on the heels of Priyanka Chopra, Deepika Padukone too made her Hollywood debut this year with the Vin Diesel film. Making a fair impression as she did the rounds of late-night chat shows and red carpets, Deepika also got Vin to come down to India where he charmed fans.

Y

Young ‘uns

Ishan Khatter. Jahnvi Kapoor. Sara Ali Khan. Young Bollywood was ready for its moment in the spotlight, preparing for their debuts, all that nepotism talk be damned. Meanwhile, the youngest of the lot — Taimur Ali Khan — continued to rule social media, chubby cheeks, green eyes et al.

Z

Zaira Wasim

The Dangal actress had a mixed year: She was viciously cyber-bullied for a meeting with Mehbooba Mufti, then got into a war of words over Twitter with politician Vijay Goel, before speaking out against an alleged harassment incident, and being praised for her role in one of the year’s best films, Secret Superstar.

Dangal box office collections cross Rs 385 crore: Aamir Khan plans success party

Mumbai: Dangal producers Aamir Khan and Siddharth Roy Kapur will host a grand party here on Saturday to celebrate the success of the movie, which has become the highest grossing Bollywood entertainer.

In 'Dangal', Aamir Khan portrayed wrestler Mahavir Singh Phogat

The film has recently surpassed collections of Rs 385 crore at the Indian box office. For Aamir, it almost makes for twin celebrations as now he has two films — PK and Dangal — which have crossed the Rs 350 crore mark.

The makers are ecstatic with the reactions and positive response to the film, which is in demand even in its sixth week.

Aamir, who usually shies away from parties, is organising the celebration for Dangal after being urged by his friends from the Hindi film industry. He has invited the who’s who of the industry for the party at Taj Lands End, said a source in the know of developments.

Directed by Nitesh Tiwari, Dangal is an inspirational story of an Indian wrestler Mahavir Phogat, who against all odds, manages to train his daughters Geeta and Babita to become world class wrestlers.

The sensitive portrayal of the father-daughter relationship moved the audience, who also appreciated performances by Aamir and his on screen daughters Fatima Sana Shaikh and Sanya Malhotra.

Dangal movie review: Aamir Khan and four lovely youngsters knock it out of the park

Sweaty bodies gripping each other in places strangers should not touch, violence as a form of entertainment, our baser human instincts getting official and mass encouragement – if you ask me why I cannot stand contact sports, these would top my answer.

Young Geeta and Babita Phogat have far more mundane reasons for hating wrestling: no girl they know does it, so why should they? Dangal is the story of their father’s bulldog-like determination to make them gold medal winners for India, and the girls’ own passage from aversion to passion for the sport.

Nitesh Tiwari’s third film as director is based on the real-life story of Haryana’s Mahavir Singh Phogat, patriarch and coach of one of the country’s most unusual sporting families: his daughters are all wrestling champions, the eldest two — Geeta and Babita — are Commonwealth Games gold medallists, and Geeta is the first Indian woman wrestler to have ever qualified for the Olympics.

This achievement is particularly striking considering that Haryana has one of India’s worst child sex ratios and a horrifying track record in the matter of female foeticide and infanticide.

dangal

Dangal is about Mahavir’s single-mindedness which brings him into conflict with his wife, his community, the country’s sporting establishment and ultimately, even Geeta.

The first half of the film is riveting in every way imaginable. Mahavir (played by Aamir Khan) gives up his wrestling dreams to financially support his family. He then decides to turn his yet-to-be-born sons into wrestlers who will bring home golds for India. This dream too is crushed when he and his wife Daya have four daughters instead in succession.

One day when Geeta and Babita bash up a couple of local boys for abusing them, Mahavir sees the light. He forgot, he says, that a gold medal is gold whether won by a boy or a girl.

The songs neatly woven into the narrative in these scenes are catchy, their lyrics steeped in hilarious colloquialisms. The acting is singularly flawless all around.

Geeta and Babita as children are played by two brilliant debutants, Zaira Wasim and Suhani Bhatnagar, who knock it out of the park in every scene (if I may borrow a phrase from another game). And the storytelling matches up.

No effort is made to gloss over Mahavir’s flaws: he is a dictator at home and a terror outside. This is, without question, a traditional set-up where the husband/father’s word matters more than anyone else’s opinions or beliefs. Even the local people are afraid of him, but that does not stop them from gossipping about this man who, they are convinced, will drive his daughters to ruin by forcing them into a field they believe no woman should touch with a barge pole.

Udta Punjab’, ‘Sultan’ and ‘Dangal’ show new social, political realities of Punjab and Haryana

The latest Bollywood blockbuster to speak of Punjab (Udta Punjab) is the horrific account of the youth of the state doing drugs. Meanwhile, two superstar films hitting the big screen with tales of the rural heartland of Haryana, are Sultan and Dangal. Riding on Salman Khan and Aamir Khan, the two mega-flicks bring to the fore stories of the youth of Haryana, muscling their way into sporting glory.

Desperate efforts were made to scuttle a big budget film like Udta Punjab, because it spoke the awful truth of the state. Meanwhile, the youth of Haryana, charged with the glamour of being celebrities, are rewriting their destinies.

This is the social and political reality of the two agrarian north Indian states today. Nobody expects the Punjab drug story to change anytime soon. This crisis has hugely empowered the Aam Aadmi Party (AAP), which is now trying to bulldoze its way into the power corridors of the Punjab Secretariat in Chandigarh.

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Haryana, meanwhile, keeps its focus squarely on sports, and has consistently punched much above its weight. Following the Commonwealth Games of 2010, that if Haryana were a country, it would be fifth on the gold medal winners’ tally, after Australia, England, Canada.

Fifteen of India’s 38 gold medals at the Commonwealth Games — nearly 40 per cent of the country’s best-ever haul — were won by athletes from Haryana. The state continued its supremacy over Indian sports in the 2012 London Olympics. Out of the six medals won by India in the London Olympics, four were bagged by players associated with Haryana.

Assembly elections in Punjab are due early next year. Youth power is one of the major routes that AAP wants to take to chart its victory path in the state. Along with promises for better opportunities for education, AAP is out to storm sports turf in the northern state to wrestle political power from arch rivals Congress and SAD-BJP.

Unveiling the party’s Youth Manifesto on July 3, AAP supremo  promised the Punjab Olympic Mission to encourage and empower Punjab sportspersons to win medals for the state. The party’s ‘Youth Manifesto’ also provides for a sports university & three additional sports colleges to encourage sport among Punjab’s youth. It promises the highest prize money of all states for achievement in sports. The prize for an Olympic gold medal – Rs 5 crore!

Despite drug abuse tearing through the  Punjabi pride, physical strength and valour continues to run through the state’s DNA. The ruling Shiromani Akali Dal (Badal) has failed to animate Punjab sports at grassroot level. This is where  has sensed a huge opportunity. AAP has promised to launch ‘Khedo Punjab’, a mass movement in sports, if voted to power in the 2017 Assembly elections.

Among the sports initiatives promised by AAP is the decision to identify and adopt 500 talented sportspersons, whose training, diet and fitness will be provided free by the state. There is dire need to give the youth story of Punjab a bright turn.

Last year, the Union Sports Ministry had drawn up an ambitious Target Olympic Podium (TOP) scheme for the Rio Olympics in August 2016. As part of the TOP scheme, star sportspersons from all over the country were allocated funds for enhanced fitness and training for the world’s biggest sporting extravaganza.

Here too, Haryana had emerged as India’s medal factory.

State-wise, Haryana continued its run as the sporting powerhouse of the country, with 16 athletes listed as beneficiaries under the TOP scheme in the first two lists. Most of them were wrestlers and boxers. Star grappler Sushil Kumar led the pack, which also had Yogeshwar Dutt, Bajrang Kumar, Amit Kumar and the Phogat sisters — Vinesh and Babita — in it.

Among the pugilists, Vijender Singh, Mandeep Jangra, Sumit Sangwan, Vikas Krishan and Pinki Jangra were the beneficiaries under the scheme. Later Vijender Singh, India’s most celebrated pugilist, was dropped from the list of beneficiaries under TOP because he had bid goodbye to amateur boxing and turned professional.

Discus thrower Seema Antil and marathon man Sandeep Kumar also benefitted from TOPS. Shooters Sanjeev Rajput, Shweta Chaudhary and Anisa Sayyed were the other Haryana athletes under the sports ministry’s pioneer project.

By comparison, Punjab’s tally was nearly half of what Haryana has scored among the TOP beneficiaries.
In the first two lists, Punjab had only nine Rio hopefuls under the TOP scheme. Its maximum representation was in the field of athletics. Triple jumper Arpinder Singh, shot putter Inderjeet Singh, marathon runner Khushbir Kaur, relay runner Mandeep Kaur and discus thrower Navjeet Kaur Dhillon are Punjab’s flag-bearers under the scheme.

Youth power will play a key role in the Assembly elections in Punjab in 2017. AAP plans to go ballistic with its various campaigns to draw the youth to its fold.

In the 2014 Parliamentary polls, Punjab had close to 4.7 lakh voters in the 18-19 age group. The party had emerged as the giant killer in Punjab, by wresting four of the thirteen Parliamentary seats.

In its debut foray into Punjab, AAP left the ruling SAD-BJP alliance with six seats, and pushed the Congress tally down to only three seats in the Lok Sabha elections, AAP now hopes to build a ‘Nava Punjab’ (new Punjab), energized by the youth and the aspiring middle class of the state.

That will definitely be a whole new flight, and a much-needed shift from Udta Punjab.