Tag Archives: film

Kalank: Teaser of Alia Bhatt, Varun Dhawan’s period drama to be out 12 March; film will release on 17 April

Abhishek Varman directed multi-starrer Kalank, which was slated for release on 19 April, will now hit the theatres on 17 April. According to trade analysts, this will give the film a five day long extended opening weekend. The trailer of the epic drama will be out on 12 March.

Recently, the makers had unveiled first look stills of all the characters in the film. Kalank stars Varun Dhawan as Zafar, Alia Bhatt as Roop, Sonakshi Sinha as Satya Chaudhry, Aditya Roy Kapur as Dev Chaudhry, Sanjay Dutt as Balraj Chaudhry and Madhuri Dixit as Begum Bahaar.

Karan Johar had on 6 March released a teaser and had in an Instagam post, recollected recollected how the film was actually conceptualised by his father, Yash, 15 years ago. It was the last film he worked on before he passed away. The filmmaker had called the film a ‘story of turbulent relationships and eternal love.’ Kalank will be set in 1940s, around unrest and turmoil faced by India and Pakistan.

The film is being produced by Karan, Sajid Nadiadwala, Hiroo Yash Johar and Apoorva Mehta. It has been co-produced by Fox Star Studios.

Kangana Ranaut responds to Krish, Sonu Sood, Apurva Asrani: Maybe they can get back at me by making a film together

Kangana Ranaut has not been one to shy away from controversies ever. She has taken on the media and her naysayers head-on and has on most occasions, come out victorious.

In a recent video interaction with the media, when the actress was asked about the various allegations against her which have been levied by her fellow Manikarnika: The Queen of Jhansi co-director Krish, Simran co-writer Apurva Asrani and actors Sonu Sood and Mishti Chakravarty, Kangana replied by saying that targeting her will not solve anything and that they need to prove her wrong through their works.

Still from Manikarnika: The Queen of Jhansi trailer. YouTube screengrab

“It is of no use if all of them hurl criticism at me. I have also become popular through hard work in the industry and brought myself to a position where I can take a creative call to edit scenes and ensure a good film like Manikarnika: The Queen of Jhansi. Instead of blaming me for their misfortunes, they should take inspiration from me and bring themselves up to the position of power.”

The actress also mentions how she intends to make a better directorial than Manikarnika: The Queen of Jhansi with her next venture behind the cameras.

Kangana addressed the issue of Krish’s name being second on the list of credits in the film. “Krish should direct another film, which stars Sonu Sood and is scripted by Apurva Asrani. At least that way they can ensure that they get back at me,” quips the actress before signing off.

Ankita Lokhande, who made her Hindi film debut with the film, also defends Ranaut when she states that most of Jhalkari Bai’s (Ankita’s character in the film) have been shot by Kangana. In an article in News18, Ankita reiterates that she is not speaking up in support of Kangana just because the film has done well, it is because she truly feels Kangana did not go wrong anywhere, and much like Lakshmibai’s protector, Ankita feels protective towards Kangana and the barrage of criticism that is being channeled towards Kangana.

Ankita’s remarks come at a time when Manikarnika: The Queen of Jhansi actress Mishti Chakraborty alleged that Kangna had unfairly edited out portions of other actors.

Manikarnika: Kangana Ranaut says naysayers will ‘shut their mouths’ after watching her upcoming film

Kangana Ranaut’s historical drama Manikarnika: The Queen of Jhansi will release in theatres on 25 January, 2019. At a party hosted by designer Neeta Lulla, the actress spoke about how critics of her upcoming film will “shut their mouths” after they watch it.

Still from Manikarnika: The Queen of Jhansi trailer. YouTube screengrab

Kangana, who stars and is also the co-director of the film along with Radha Krishna Jagarlamudi, told IANS, “I feel people who are not saying good things about me or my film will have to shut their mouths after watching the film and people who are saying good things, their mouths can’t be shut by anyone, this is what I feel.”

She shared that she had enjoyed taking up directorial duties and felt it was the result of team work. She said that initially, she found it difficult but later felt that she could do justice as both an actor and director.

Manikarnika: The Queen of Jhansi will focus on Rani Laxmibai’s fight against British colonisers for the rightful independence of her country and land. Jisshu Sengupta, Suresh Oberoi, Danny Denzongapa, Atul Kulkarni, Ankita Lokhande, Misti, Unnati Davera, Zeeshan Ayub, Rajeev Kacharo, Nihar Pandya, Kulbhushan Kharbanda and Manish Wadhwa are part of the supporting cast.

2.0 director Shankar reveals Kamal Haasan was offered Akshay Kumar’s role as antagonist in Rajinikanth’s film

2.0, director Shankar’s magnum opus starring Rajinikanth and Akshay Kumar, is set to hit theatres very soon. 2.0 has created headlines ever since the film went on the floors, especially as it’s being touted as the most expensive Indian film ever with a humongous budget of Rs 500 crore.

Poster for 2.0/Image from Twitter

Shankar’s wish to cast Hollywood action icon Arnold Schwarzenegger in the role of the main antagonist is familiar news. However, the director recently revealed that south star Kamal Haasan was also considered for the role now being played by Akshay Kumar, reports The Indian Express.

Recounting the deal with Arnold, Shankar said that it had been almost finalised adding that the Hollywood star was also pumped for the project but unfortunately, while drafting the contract, the makers were unable to reach a consensus on every detail. Post that, Shankar was keen on Haasan. “It was my desire to see Rajini sir and Kamal sir in the same movie. Jeyamohan (2.0 dialogue writer) and I met Kamal and discussed the role. But Kamal was more interested in doing Indian 2 and so we moved on,” said the director.

The report adds that though Rajinikanth and Kamal have had quite a number of films together, Hassan decided to not work with Rajini post 1979 film Ninaithale Inikkum so that he could get his own films.

The trailer is scheduled to be launched in an extravagant manner in Chennai on 3 November. 2.0 is due in cinemas on 29 November.

Zero trailer: Shah Rukh Khan takes a leap of faith for love in Aanand L Rai’s colourful film

The makers of Zero recently released the trailer of the much awaited film. The trailer was released on Shah Rukh Khan’s 53rd birthday.

Still from Zero trailer

The trailer depicts Anushka, who is wheelchair-bound, as Shah Rukh’s love interest. There are hilarious moments in the trailer, one being an altercation between Shah Rukh and his father, when Khan replies saying, “Guthka khaate rehte ho, sperm chhoti ho gayi hogi.”

Unfortunately, Anushka and his love story does not reach fruition and Khan moves on to Katrina, who is portrayed as a celebrity. Most of the Zero trailer revolves around the three main characters. Finally, the trailer takes us all by surprise with a sweeping shot of a rocket, with Khan’s voice over in the background, saying, “Kahaaniyon mein suna tha ke aashiq mohabbat mein chaand tak le aate hain, saale humne yeh baat seriously le liyi.” Zero may have Khan taking the leap of faith for his love.

Khan will reportedly not be the only one playing a special role in the film (he plays a vertically challenged man). Kaif will be playing an alcoholic in the film who struggles with her addiction, while Sharma plays a struggling scientist.

Director Aanand L Rai also shared a new poster of Zero featuring SRK on his birthday. The poster depicts Shah Rukh standing on what seems like a New York street amidst tall sky-scrapers with a garland of notes strung around his neck. Rai dedicated the poster to Khan’s dimples.

Recently, the first look posters of Zero were unveiled which saw Katrina and Anushka with SRK.

The teaser and title of the highly anticipated film was released on 1 January and it left the internet in a frenzy as Khan was seen as a “dwarf” for the first time by the audience. For SRK’s challenging look, the makers reportedly used advanced technology inspired from Hollywood films.

Manto, Leena Yadav’s Rajma Chawal, Tumbbad to be showcased at 2018 London Film Festival

London: The 62nd London Film Festival which opens on 10 October will show more than 200 films from 77 countries with more than a third of them from women filmmakers, including India’s Manto directed by Nandita Das.

Posters of Manto (left), Rajma Chawal (right), A still from Tumbbad

One of the world’s most prestigious film festivals will open with Oscar-winning director Steve McQueen’s thriller Widows.

Indian films are a growing feature at international film events and the London festival is no exception. Although Das’s biopic on the famous writer Manto, has already been premiered in India and elsewhere, the Nawazuddin Siddiqui starrer is still a prominent entry.

Three other Indian films which are eagerly awaited at the festival are Leena Yadav’s Rajma Chawal, Rahi Anil Barve’s Tumbbad and Dar Gai’s Namdev Bhau in Search of Silence.

In Rajma Chawal Rishi Kapoor gives a charming performance as a newly-widowed father who’s struggling to cope with the unfolding situation. Tumbbad is about the cursed family of a now deserted village while Dar Gai’s film is about a 65-year-old man who cannot take the noisy Mumbai city anymore.

Another Indian film being shown at the festival is Ivan Ayr’s debut Soni. The film is about a policewoman in Delhi which has already had its premiere in July at the Venice International Film Festival.

The 12-day London Film Festival will close on 21 October with the world premiere of Jon S. Baird’s Stan & Ollie. This funny film starring Steve Coogan and John C, Reilly features a double act of Laurel and Hardy.

Some other prominent films at the 2018 festival are The Old Man and the Gun which features Robert Redford as an aging bank robber; Alfonso Cuaron’s Roma —a black and white film which is a tribute to the women of his boyhood.

Besides, Yorgos Lanthimos’s delirious period drama The Favourite, Mike Leigh’s historic epic Peterloo, the Cohen brothers’ dazzling new film The Ballad of Buster Scruggs and Luca Guadagnino’s art horror Suspiria.

Another film worth mentioning is Lords of Chaos by the Swedish director Jonas Akerlund. It is a darkly comic drama that tells the true story of how the rise of the Satanic musical subculture of Norwegian black metal in the 1980s, spun from an angst-inspired need to revolt into a fable of gross cult crimes.

The London Film Festival has featured some of the world’s best movie makers. The first film ever to be shown at the festival was Akira Kurosawa’s Throne of Blood in 1957.

In that year alone, it showed Bergman’s The Seventh Seal, Fellini’s Nights of Cabiria and Elia Kazan’s A Face in the Crowd— all classics of world cinema.

India’s Satyajit Ray won the best film director award in 1959 at the London festival for his Apur Sansar. He was only the second director in the history of the festival to be awarded for his work.

In its early years, almost all films shown and awarded here were by international directors rather than British.

Batti Gul Meter Chalu box office collection Day 1: Shahid Kapoor, Shraddha’s film opens with Rs 6.76 cr

Batti Gul Meter Chalu, despite featuring a prominent cast comprising Shahid Kapoor, Shraddha Kapoor and Yami Gautam, had a slow start at the box office, earning Rs 6.76 crores on its opening day.

Shraddha Kapoor and Shahid Kapoor in a still from Batti Gul Meter Chalu

The film released alongside Manto, Saamy Square and The Equalizer 2. Trade analyst Girish Johar had predicted that the film would be able to amass Rs 5.5 crores on its first day. “Desi stories always connect well with people. Also, a social issue relating to a common man’s fight against power distribution companies will pull audiences to cinema halls,” Johar had told The Indian Express in a statement, adding that a combination of good cast and director increases the possibility of a positive box office outcome. Meanwhile, Shraddha’s other release, Amar Kaushik’s Stree where the actress features alongside Rajkummar Rao, has been steady at the box office, even after three weeks of its release.

Swara Bhasker may play Sanjay Dutt’s step daughter in Hindi remake of Telugu film Prasthanam

Bollywood actress Swara Bhasker is currently busy promoting the upcoming film Veere Di Wedding, where she shares screen space with Kareena Kapoor Khan, Sonam Kapoor Ahuja and Shikha Talsania. The film is produced by Rhea Kapoor and Ekta Kapoor.

It is reported that after Veere Di Wedding, she will be seen in the Hindi remake of the 2010 Telugu thriller Prasthanam. According to a report by Asian Age, the actress will be seen essaying the role of Sanjay Dutt’s stepdaughter in the film.

Swara Bhasker and Sanjay Dutt. Facebook

John Abraham reportedly opts out of espionage spy-thriller Romeo Akbar Walter; will film be shelved indefinitely?

Romeo Akbar Walter has been facing troubles ever since it was first announced. Sushant Singh Rajput was supposed to play the lead in the spy-thriller movie, but later opted out citing prior commitments as the reason. It was later announced that John Abraham will be playing the lead in Romeo Akbar Walter; the actor himself made an official announcement on his official Twitter channel.

But now, according to a report in DNA, John Abraham has also pulled out of the project. DNA quoted a source as saying, “John allegedly felt RAW’s storyline is similar to that of Alia Bhatt’s Raazi. When he watched the trailer of Meghna Gulzar’s film, which released a few days ago, he was convinced about it. It’s just that RAW is from a man’s perspective.” Raazi is the tale of an Indian woman who is married off to a Pakistani boy who hails from a family of army-men. The woman’s father asks his daughter to be the “eyes and ears of India” in the neighboring country.

John Abraham/Image from Twitter.

A different source is quoted saying that John Abraham’s movie is also about an Indian spy who joins the Pakistani armed forces to relay information to the Research & Analysis Wing (RAW). Even though the team wanted to alter the script a bit, the actor wasn’t convinced as the main storyline would still be the same. Hence, the source adds, John politely asked the makers to move on.

DNA quotes another source who provides a different story. According to the source, the movie’s rough budget without publicity and promotion came up to Rs 40-45 crore which is a big figure to recover with John in the lead. With John signing the deal for Rs 11 crore as his remuneration, the makers scrapped the idea for now. If they plan to make RAW sometime in the future, they will do it with a bigger star who can ensure a good return.

Padmaavat: Delhi High Court rejects plea alleging glorification of Sati in Sanjay Leela Bhansali’s film

The Delhi High Court today rejected a plea seeking penal action against the producers and director of Bollywood movie Padmaavat for alleged glorification of the practice of ‘sati (immolation)’. A bench of acting Chief Justice Gita Mittal and Justice C Hari Shankar dismissed the plea saying the petitioner should have approached the Central Board of Film Certification (CBFC) at an appropriate time.

Shahid Kapoor, Deepika Padukone and Ranveer Singh from Padmaavat poster. Facebook

“The film stands released without any complaints and it is already in the public domain. If the petitioner was having any complaint with regard to the issue raised in his writ petition, he should have made complaint before the CBFC at an appropriate time. We find no merit in the petition. The same is dismissed (sic).” the court said.

A Public Interest Litigation (PIL) by social activist Swami Agnivesh had sought deletion of the scenes that depict the practice of ‘sati‘. ‘Sati‘ is an obsolete funeral custom where a widow immolates herself on her husband’s pyre and the law prohibits it.

The court had earlier observed that according to one of the disclaimers in the film, it is a work of fiction and therefore, it does not show any intention or animus on the part of the producers or director, Sanjay Leela Bhansali, to propagate the practice.

The petition, filed through advocate Mehmood Pracha, had sought directions to the Delhi Police to lodge an FIR against Ajit Andhare, one of the producers, and Bhansali. Central government standing counsel Manish Mohan, who appeared for the Ministry of Information and Broadcasting and the censor board, had opposed the plea, saying the movie was certified for public viewing after considering all the aspects.

The court had said that in the present day and age, it was “hesitant to accept” the petitioner’s claim that someone would follow such a practice just by seeing the movie. The high court on 25 January had rejected a Rajasthan-based group’s plea seeking quashing of the certification granted to the film, saying the Supreme Court had permitted its release.

The film, which hit the theatres on 25 January, is directed by Sanjay Leela Bhansali and has Deepika Padukone, Ranveer Singh and Shahid Kapoor in the lead roles. It is based on the saga of a historic battle of 13th century between Maharaja Ratan Singh and his army of Mewar and Sultan Alauddin Khilji of Delhi.

The impending release of the movie had led to several incidents of vandalism, including an attack on a school bus in Gurugram and torching of a Haryana Roadways bus on 24 January. The set of the movie was vandalised twice — in Jaipur and Kolhapur, while its director Bhansali was roughed up by members of the Karni Sena last year. The apex court had paved the way for nationwide release of the movie by staying the ban on its screening in Gujarat and Rajasthan. It had also restrained other states from issuing any such notification or order banning the screening of the film.