Tag Archives: kapoor

Batti Gul Meter Chalu box office collection Day 1: Shahid Kapoor, Shraddha’s film opens with Rs 6.76 cr

Batti Gul Meter Chalu, despite featuring a prominent cast comprising Shahid Kapoor, Shraddha Kapoor and Yami Gautam, had a slow start at the box office, earning Rs 6.76 crores on its opening day.

Shraddha Kapoor and Shahid Kapoor in a still from Batti Gul Meter Chalu

The film released alongside Manto, Saamy Square and The Equalizer 2. Trade analyst Girish Johar had predicted that the film would be able to amass Rs 5.5 crores on its first day. “Desi stories always connect well with people. Also, a social issue relating to a common man’s fight against power distribution companies will pull audiences to cinema halls,” Johar had told The Indian Express in a statement, adding that a combination of good cast and director increases the possibility of a positive box office outcome. Meanwhile, Shraddha’s other release, Amar Kaushik’s Stree where the actress features alongside Rajkummar Rao, has been steady at the box office, even after three weeks of its release.

102 Not Out box office collection: Amitabh Bachchan-Rishi Kapoor starrer earns Rs 16.65 cr on opening weekend

The weekend seemed to get better and better for the Amitabh Bachchan and Rishi Kapoor starrer 102 Not Out, which recorded a total gross of Rs 16.65 crore in its opening weekend.

The film, directed by Umang Shukla of Oh My God! fame, refused to be bullied by Avengers: Infinity War even though the Marvel blockbuster continued to muscle rivals aside at the global box office.

Rishi Kapoor and Amitabh Bachchan in a still from 102 Not Out. YouTube

102 Not Out raked in Rs 3.52 cr on Friday, Rs 5.53 cr on Saturday and Rs 7.60 cr on Sunday, reports trade analyst Taran Adarsh.

Billed as the most unusual father-son story, 102 Not Out is based on playwright Saumya Joshi’s popular Gujarati play of the same name.

Also read: 102 Not Out highlights what Bollywood might lose out on, thanks to its obsession with youth

The film portrays the relationship between a 102-year-old man (Bachchan) and his 75-year-old son (Kapoor). Bachchan’s centenarian wants to break the world record of being the oldest man alive, which is held by a 118-year-old Chinese man. He plans to do it by putting his son in an old age home.

102 Not Out is produced by SPE Films India and Treetop Entertainment.

The actor duo, who have worked together in films such as Amar Akbar Anthony, Kabhi Kabhie, Naseeb and Coolie, reunite on screen after 26 years.

Sanju teaser: Ranbir Kapoor transforms into Sanjay Dutt effortlessly in this typical Rajkumar Hirani story

The much-awaited teaser of the Rajkumar Hirani-directed Sanjay Dutt biopic Sanju is here.

In it, Ranbir Kapoor can be seen in six different looks of Dutt that depict six phases of his life. And then in typical Hirani fashion, and in a Munna Bhai accent, Ranbir introduces Dutt’s life.

The teaser then jumps into a montage of Sanjay Dutt’s life, from his onscreen journey to the multiple affairs to his AK-56 rifle case. The teaser underlines the many lives Dutt has lived within one lifetime: from luxury to captivity, from being loved to being punished.

From the first shot of the trailer itself, you will find yourself adjusting your eyes to make sure you’re watching Ranbir Kapoor, and not Sanjay Dutt, in the teaser. The similarities are uncanny, and full props to Ranbir Kapoor for carrying off the character so well.

We wish there were most glimpses of the supporting cast.

Ever since the film was announced, it has been in the news for several reasons — leaked pictures wherein Ranbir Kapoor looks like a carbon copy of Dutt, and the ensemble cast including Sonam Kapoor, Paresh Rawal, Anushka Sharma, Vicky Kaushal and Manisha Koirala (among others).

The most important reason behind this surging enthusiasm is undoubtedly Sanjay Dutt. Recently, several fan clubs on Twitter shared the first look of the film as well:

Batti Gul Meter Chalu: Are Shahid Kapoor, Ileana D’Cruz teaming up for Shree Narayan Singh’s next?

After raking in moolah at the box-office with his film Toilet: Ek Prem Katha, director Shree Narayan Singh is all set to awaken the moral/social/civic conscience of his audience with the upcoming film Batti Gul Meter Chalu.

Themed around rising electricity charges and escalated billing in many parts of India, Batti Gul Meter Chalu stars Shahid Kapoor in the lead role; he plays the role of a lawyer in the film. There has been persistent speculation around the casting of the actress opposite Kapoor. But the Padmavati actor refuted it all, stating no actress had been roped in yet.

But, now, according to a report by Mumbai Mirror, Ileana D’Cruz is being considered for the role.

Shahid Kapoor and Ileana D'Cruz. Images via Facebook

Confirming the development (of approaching D’Cruz), one of the co-producers of the film, Prernaa Arora of KriArj Entertainment told Mirror, “We have only spoken to Ileana so far. It is a strong role of a lawyer with intense scenes and we are casting now.”

The film’s teaser was released during Diwali this year. Singh, in a statement, revealed why the festival of lights was chosen for the teaser launch. “Diwali makes it just the right occasion for us to shed light on a subject that needs to be discussed. We look forward to making a film that is both commercially entertaining and encourages a social conversation,” reports PTI.

The Mirror report also adds that the film will go on the floors on 19 January next year and will be extensively shot in places like Haridwar, Rishikesh, Tehri, Mussoorie and Nainital. Batti Gul Meter Chalu is slated to release on 31 August, 2018.

Are Shahid Kapoor, Imtiaz Ali reuniting for a second film, to be produced by Sajid Nadiadwala?

All-time rom-com favourite Jab We Met has created quite the cult following over the years — it’s our go-to flick to restore the idea of love.

Now, after 10 long years, the director Imtiaz Ali and the protagonist of the film Shahid Kapoor are all set to make another romantic flick, reports have claimed. And backing the director with his new project is old favourite Sajid Nadiadwala, who will be producing the film, reports DNA.

Sources in the report have further revealed that Sajid Nadiadwala is quite happy and hopeful about the upcoming film.

Sajid and Imtiaz’s last film together was Tamasha, which, inspite of much love from critics, could not do fair business at the box office. Ranbir, Deepika’s performances were, however, lauded by all.

Shahid-Imtiaz and the team of Jab We Met had celebrated 10 years of the film recently and this was when the news of the two coming back together was revealed. As per various reports, the film will go on the floors in April next year. The film will be extensively shot in Mumbai. However, the female lead is yet to be finalised by the director, and the hunt is on.

Shahid Kapoor has always been nostalgic about Jab We Met. As PTI reports, he earlier made a remark saying, “I feel for Aditya Kashyap, both in the movie and after its release, because he didn’t get the recognition he deserved. Instinctively, I knew that 10 years later people would get this guy but at that time, to make Jab We Met work, one character had to anchor the story so the other one could jump around.”

Secret Superstar: Aamir Khan’s character in the film inspired by Anil Kapoor, Jeetendra

Mumbai: Bollywood superstar Aamir Khan’s quirky character Shakti Kumaarr from his forthcoming movie Secret Superstar has been inspired by Jeetendra and Anil Kapoor.

Anil Kapoor (left); Aamir Khan in Secret Superstar (centre); and Jeetendra. Image courtesy: Facebook

Aamir said in a statement: “One of the secrets from Secret Superstar is that in this film, I have used some lines that film actors usually use in their personal life and whenever I meet them. I tend to remember some lines from it, and I have used those lines while playing my character in the film.

“For example, when I met Jeetuji (Jeetendra) for the very first time, I found him as a very humorous person. He had come to visit Nasir (filmmaker Nasir Hussain) sahab once and I was sitting with them that time. I was an assistant to Nasir sahab then. Jeetuji said, ‘Nasir sahab, I have been offered a film which has a double role’. Jeetuji laughed and said I can’t do one role properly and I have been offered two roles.

“Further, he said that it’s perfectly fine, I’ll do it well and said ‘Buck up India’… The way he said ‘Buck Up India’, I found it so charming that time that it remained in my mind, and now also if we meet somewhere, he says, ‘Son, you have a release now… Buck Up India! It will do very good’. The way Jeetuji uses that phrase ‘Buck up India’ is something I like and I have used that in Secret Superstar.”

What about Anil?

“One thing about Anil Kapoor I have noticed is that whenever he is done talking on call, he doesn’t say bye once, he says bye about 15-20 times on call. So while speaking with him on call when I say, ‘Anil, see you bye’, he says ‘Bye, bye, bye, bye, bye’ in series. My character uses this trait also.”

Secret Superstar is a film which brings out the inner superstar of a teenage girl who is dreaming to become a singer and how she fulfils her dreams by keeping her identity hidden.

How Sara Ali Khan and Jhanvi Kapoor became Bollywood’s most hyped debutantes in recent history

After years of speculation, Amrita Singh and Saif Ali Khan’s eldest daughter Sara Ali Khan has started shooting for her first Bollywood film, Kedarnath. Directed by Abhishek Kapoor (Kai Po Che, Rock On!!), Kedarnath is described as a love story that unfolds during the course of a pilgrimage. Sara, along with her co-star Sushant Singh Rajput, visited the Kedarnath temple on the eve of the shoot.

Meanwhile, Sridevi and Boney Kapoor’s daughter Jhanvi Kapoor’s debut film, a remake of the Marathi blockbuster Sairat, will go on the floors this November. Her co-star, in this Dharma Productions film, is another star kid — Shahid Kapoor’s younger brother Ishaan. The Sairat-remake will be Ishaan’s second film. The 22-year-old will make his debut with Iranian filmmaker Majid Majidi’s Beyond The Clouds.

These two newbies are probably the most hyped debutantes Bollywood has seen in recent times. Even Alia Bhatt, who debuted in Karan Johar’s Student of the Year five years ago, didn’t have the kind of pre-launch hype these girls do.

Let’s take a look at how Sara and Jhanvi’s debuts compare.

Sara Ali Khan with Karan Johar. File Photo

The Beginning

Bollywood first took notice of Sara in early 2012 when she posed, with her mother Amrita Singh, for the cover of Hello magazine. The then-16-year-old Science student looked elegant in an ivory-and-gold Abu Jani-Sandeep Khosla creation. While it was obvious that the teen had her heart set on a career in Bollywood, her parents insisted that she complete her education. Weeks after the magazine hit stands, Amrita, in an interview, said, “Sara is good at academics. She even plans to go for further studies to Yale University. So we need to give her some time.”

Even while Sara was studying at Columbia University, speculations about the film she’d debut in continued to swirl. There was Dharma productions’ remake of the Hollywood film Fault in Our Stars opposite Shahid Kapoor’s brother Ishaan Khattar, a film opposite Hrithik Roshan which was to be directed by Karan Malhotra (Agneepath, Brothers) and the sequel to Student of the Year opposite Tiger Shroff. It was only earlier this summer that Kedarnath was confirmed by Amrita as Sara’s debut film.

Close on Sara’s heels, Jhanvi also first made her presence felt with a magazine cover. She was seen on the cover of People Magazine (Dec 2012), along with her mother Sridevi and young sister Khushi. Like Amrita, Sridevi also said that Jhanvi ‘was too young to sign a film’ but ‘she’s always wanted to act’. The 20-year-old finished her schooling at Dhirubhai Ambani School, Mumbai before completely focusing on getting Bollywood ready. While Amrita hesitated about Sara’s association with Dharma, Sridevi, it was said, didn’t even bother looking at any other opportunities for her daughter. After Karan Johar announced in 2015 that Dharma will launch Jhanvi, it was just a matter of finding the right film.

Jhanvi with her parents, Sridevi and Boney Kapoor, and younger sister Khushi on the IIFA green carpet a few years ago. File Photo

The Film

In June last year, Karan watched Sairat, the highest earning Marathi film of all-time, and he was bowled over. Directed by Nagraj Manjule, the film is a young love story juxtaposed against caste conflict. With Nagraj keen on focusing on his Hindi directorial debut (starring Amitabh Bachchan), the reins of the Hindi remake were handed to Shashank Khaitan whose previous two films — Humpty Sharma Ki Dulhania and Badrinath Ki Dulhania — were megahits.

What made Parshya and Archie’s love relatable was that Sairat was soaked in realism. From the naturalistic acting to the brutal violence, the semi-rural landscape and even Archie’s inexpensive sartorial sense helped make the film real. It would be interesting to see how Shashank will find the balance between realism and the trademark Dharma sensibilities. After all, Manish Malhotra has been roped in to dress Jhanvi for the remake.

Details about Sara’s film Kedarnath, on the other hand, have been hard to come by. Even the film’s ‘first look’ that was launched to coincide with the beginning of the shoot, gives away almost nothing about the storyline, which is credited to its director. According to early buzz, the Uttarakhand floods of 2013 form the backdrop of this story of human spirit that persists in the face of tragedy. Sushant’s character in the film is a pitthu, who carries pilgrims on their shoulders. The film will mostly be shot in Uttarakhand.

The Mothers

Like the “heroine’s mummyjis” of yore, both Amrita and Sridevi have been working meticulously behind-the-scenes to make sure that their daughters make the right moves. The Mom actress has come a long way from when she wasn’t keen on a career in showbiz for either of her daughters. In the early days when Jhanvi first started making headlines for her Instagram posts, her superstar mom even ordered her to stay off any kind of social media. Sridevi was instrumental in getting Karan to launch Jhanvi and now that the film’s shoot is just months away, it’s all hands on deck. One hears that she is even closely monitoring all the looks Malhotra is creating for her daughter.

While Sridevi was instrumental in her daughter getting a launch as a ‘Dharma heroine’, the buzz is that Amrita is the reason why Sara lost out on the opportunity. Apparently, the actress wasn’t keen on the three-film caveat that a Dharma launch film came with. By debuting with Kedarnath, not only is Sara not tied down to any production house, she is also free to choose managers and staff that she’s comfortable with instead of those ‘recommended’ by Karan. What also tipped the scales in favour of Kedarnath, for Amrita, was that her friend Ekta Kapoor is one of the film’s producers.

Kedarnath is slated for a summer 2018 release and if the untitled Sairat-remake doesn’t get pushed, it should also hit theatres next year. While trade pundits feel that Jhanvi might have an edge over Sara because she has Karan Johar as a mentor, only time will tell how the audience will receive these star daughters.

From Ranbir Kapoor in Jagga Jasoos, to Salman Khan in Tubelight, stars aren’t afraid to experiment

Editor’s note: With Shah Rukh Khan’s Fan and Salman Khan’s Tubelight not quite hitting the mark in terms of box office success, there are some crucial question we found ourselves thinking about. Is Bollywood’s male movie-star bound by his ‘image’? What happens when stars experiment, and give their fans something ‘new’? What happens when their experiments fail and how do the stars themselves react to this failure? This is part two of a three part analysis on this very idea — what is bigger, the star or the image of the star? 

Also read parts one and two of this series. 

In the just-released Jagga Jasoos, Ranbir Kapoor plays a Tintin-esque detective. The film itself is cast in the mould of a Broadway musical, not seen before in Bollywood, and includes 21 songs.

Ranbir’s played varied roles before — be it the coming-of-age Wake Up Sid or the everyman in Rocket Singh: Salesman of the Year, and even Tamasha. Still, Jagga Jasoos is an ‘experiment’ for the actor.

What’s interesting that this ‘experimentation’ is being engaged in by actors across the spectrum in the Hindi film industry. Just a few weeks ago, we had Salman Khan playing a man with developmental difficulties in Tubelight. While that film flickered out at the box office, it was an attempt on Salman’s part to do a role different from his usual larger-than-life onscreen image. Meanwhile, his contemporary Shah Rukh Khan is also trying something different with Aanand L Rai’s next, in which he plays a dwarf; while Aamir Khan has — yet again — transformed himself entirely for his role in Thugs of Hindostan. Images of Aamir sporting long hair and a nosepin are already doing the rounds on social media.

A mere four years in the industry, and a Varun Dhawan can pull off a Badlapur, while a Sidharth Malhotra an work on an experimental thriller like Ittefaq.

Ranbir Kapor in Jagga Jasoos; Salman Khan in Tubelight. Images via Facebook, Twitter

Meanwhile, Ranveer Singh can charm viewers in an offbeat Lootera and play a rapper from the streets in Zoya Akhtar’s Gully Boys. And an ‘outsider’ like Sushant Singh rajput can break into the Bollywood big league with unconventional films like Kai Po Che, Shuddh Desi Romance and Detective Byomkesh Bakshy! 

Forty years ago, this would have been unimaginable. One could hardly conceive of an Amitabh Bachchan or Dharmendra — at the height of their superstardom — playing differently-abled characters in a film that had no romantic angle. There would always be a song-and-dance routine with a Rekha in Ghazab, or the metamorphosis of dim-witted Kallu into dashing Kaalia. They would, undoubtedly, give the greatest of performances, but in conventional vehicles like Deewar, Pratigyaa and Chupke Chupke.

But playing a differently-abled character in a realistic drama… well, that kind of experimentation was best left to a Sanjeev Kumar, as in the 1970 release Khilona. It was up to a Balraj Sahni to play a landless labourer in a stark drama like Do Bigha Zameen, while a Dilip Kumar and Raj Kapoor — as great as they were — displayed their histrionics in larger-than-life films like Mughal-E-Azam and Awara. Or Naseeruddin Shah, who played a visually impaired man in Sparsh, while Vinod Khanna or Jeetendra bashed up baddies and romanced heroines in their films. But today, if Randeep Hooda or Nawazuddin Siddiqui are experimenting with their roles, so are the big stars like Salman, Shah Rukh.

It is not at all a coincidence that Aamir’s Lagaan, a film where a major Bollywood star experimented with both form as well as content, came within a decade of economic liberalisation, exposure to satellite television and invasion of the internet, followed by the multiplex revolution. The audience was changing and the stars were quick to realise it. Aamir tried to follow the same experimental route with Mangal Pandey — and though it proved less successful, he continued down that route.

Shah Rukh made the attempt with Swades, although it was Chak De India that proved to be his first major ‘experimental’ success. He continued walking off the beaten path with Karan Johar’s My Name is Khan and more recently, Yash Raj Films’ Fan. Salman may have started late, but he seems to be making up for lost time with Bajrangi Bhaijaan, Sultan and Tubelight. And if an Ajay Devgn has a Drishyam in his kitty, then Bollywood’s ultimate khiladi, Akshay Kumar has made it a point to pick unique subjects with films like Toilet: Ek Prem Katha, Padman and Gold. 

These are definitely good times to be a Bollywood (film) viewer. We are fortunate to watch our favourite actors in unusual and experimental roles in an image-obsessed industry. As horizons have expanded, and tastes have evolved, it’s no longer a stretch for viewers to see their favourite stars go from playing the typical romantic/action hero to ageing wrestlers — or dwarves.

Paresh Rawal: ‘Ranbir Kapoor is terrific in the Dutt biopic, he’s a unique talent’

Actor-politician Paresh Rawal rarely sits down with the media for a chat but when he does, it is a no-holds barred interaction.

Ahead of the release of his upcoming flick Guest Iin London, Firstpost meets up with the actor in a suburban hotel and he answers every query ranging from movies to politics in his inimitable style, expressions and quirks.

The first part of the film – Atithi Tum Kab Jaoge was quite hilarious and funny. Now, in the second part, Ajay Devgn and Konkana Sen have been replaced by Kartik Aaryan and Kriti Kharbanda. Did you miss Ajay and Konkana especially since you might need senior actors with perfect timing to match your comic timing?

I never missed Konkana or Ajay in this story as it is a completely different film. Secondly, in terms of give and take, Kartik is equally competent, and even Kriti Kharbanda is a good actress. And I mean it, I’m not saying just to sound polite.

In the film, you reprise your role of a ‘bin bulaye mehman’, so what kind of a guest are you in real life? And how do you tackle unwanted guests?

As a guest, I never disturb the host or any of their belongings and I don’t like people tampering with my stuff as well. I like few people and I like them for not more than three to four days. I am pretty much upfront and straight-forward. I ask them right in the beginning about when they plan to leave, and when their tickets are booked. They know me well so they don’t mind me asking. But I don’t have guests who pester me.

You don’t seem to socialise much…

My job is to do good work. I am not here to maintain relationships. I am from theatre; you can call it arrogance, confidence or over confidence, but I never felt the need to network or party.

What kind of roles excite you? Which have been your most challenging roles so far?

Roles have to be well-written. It should scare me; it is fright that motivates me. Sir, Sardar, Tamanna, Mumbai Meri Jaan, Oye Lucky Lucky Oye — these are some of the better films I’ve done.

How’s your experience portraying Sunil Dutt in Sanjay Dutt’s biopic?

Oh, it’s so amazing. It’s all because of my director Rajkumar Hirani, because of Abhijat Joshi’s writing and because of Ranbir Kapoor’s acting that the movie is looking amazing. Ranbir is terrific, he is a unique talent.

What kind of preparation went into it?

Fortunately, I am portraying a character that doesn’t have any kind of set mannerisms or idiosyncrasies. Sunil Dutt was very human.  He never had any vibes of stardom around him. The film is essentially a story about father and son.