Tag Archives: salman

Dabangg 3 movie review: Salman Khan’s Chulbul Pandey is no longer charming or funny – R.I.P. please, Robinhood

Early in Dabangg 3, Salman Khan’s character is chatting with his subordinates when he makes what may seem like a throwaway remark, “…hum class aur mass, dono ke liye kaam karte hai” (I work for the classes and the masses). Since “class” and “mass” are words used by the Hindi film industry to informally categorise sections of the audience, this is obviously more than just a casual comment – it is an allusion to Khan’s success across social strata since he turned out the blockbuster Wanted in 2009.

The effort to retain his cross-sectional appeal is evident throughout this dated, dull and clichéd film, which is what makes it such a mish-mash of conservatism and liberalism, almost amusing in its confusion.

Dabangg 3 marks Khan’s third screen outing as Chulbul Pandey, the comic-serious policeman who has no qualms about circumventing the law to serve the common people. In keeping I suppose with Hollywood’s trend of serving us origin stories of superheroes, this Bollywood venture is about how a useless, purposeless fellow called Chulbul became the chap we now know him to be: a destroyer of evil who is ever ready with a self-deprecating joke or gesture. By Film 3, he is the ASP of Tundla, still married to Rajjo (Sonakshi Sinha), a father, and up against a human trafficking don called Bali Singh played by Kannada star Kichcha Sudeep (his name is spelt as Sudeepa here).

The writers’ please-all aim in Dabangg 3 leads to many scenes of unwitting irony. Such as when Chulbul speaks of respect for women and gets furious at men who refer to women as “maal” just moments after he is shown dancing to the song ‘Jumme ki raat’ from the 2014 hit Kick in which Khan’s own character had picked up Jacqueline Fernandez’s skirt with his teeth without her knowledge and followed her while dancing. Then there is Chulbul taking a purportedly feminist stand on dowry and women’s education even as he describes himself as the “rakhwaala” (keeper) of a woman he intends to marry. The self-consciousness and duality of his liberalism become exhausting to watch after a while.

Equally exhausting are the rusty dialogues filled with rhymes, many failed shots at clever wordplay, some scenes of double entendre and others of downright crudeness.

Sample: Chulbul saying, “Hum unhi ko tthokte hai jo zaroorat se zyaada bhokte hai” (I only bump off those who bark too much).

Sample: Rajjo telling her husband, “hamare petticoat mein chhed mat karna” (please do not pierce a hole in my petticoat) when he snatches it away from someone who was fitting a drawstring in it, at which point hubby eyes her suggestively.

Sample: a random character who randomly enters a toilet where Chulbul’s brother is doing potty, at which point we are subjected to gurgling potty sounds.

Sample: Chulbul impaling his butt on a nail.

Sample: a bad guy’s crotch falling on a dagger.

Sample: Chulbul dropping his pants by mistake when he takes off his belt to whip someone.

Sample: Chulbul shooting a junior who asks how he can get a promotion.

All these scenes are designed to elicit laughs.

And then there are lines like this that are no doubt meant to sound smart but do not: Chulbul saying, “Ek hota hai policewala aur ek hota hai goonda, hum kehlate hai policewala goonda” (there are policemen and there are hooligans, and then there are those like me who are police and hooligan combined).

The story is not even worth recounting. It feels like a bunch of disparate ingredients hurriedly thrown together in a cooking pot. So does the music by Sajid-Wajid who have in the past created so many memorable tunes for Salman Khan starrers. Here they first recycle the Dabangg title track, then deliver two numbers that sound like first cousins of ‘Tere mast mast do nain’ from Dabangg, one terribly boring song in which Chulbul romances Rajjo and – c’mooon, they’re not even trying – ‘Munna badnaam hua.’

The SFX are bad. Even the choreography has nothing new to offer, which is odd since the ace choreographer-cum-dancer Prabhudeva has directed this film.

As far as acting goes, Khan’s charm wears thin as he tries hard to resurrect that unusual blend of gravitas and humour that worked so well in Dabangg in 2010. Here he comes across as almost embarrassingly juvenile.

Sinha has little to do but pout and look pretty. Her Rajjo is also throw up in their air by a massive explosion that somehow leaves her makeup completely unscathed. Why is this talented women wasting herself so?

An unimpressive newcomer called Saiee Manjrekar gets a large supporting role to which she lends nothing but her smooth complexion and lovely figure. The rest of the cast hams shamelessly.

Anyone who has seen Sudeep in his Kannada films knows that he has the charisma to match Salman, but he does not stand a chance here in Dabangg 3 in the face of a sketchily written character which does little but showcase his towering physique.

There is so much tomfoolery and immaturity in this film that the climactic fight sequence comes as a shock. It is so grossly violent and in-your-face that I could barely bring myself to look at the screen. And of course because it is a masala film by a commercially focused director with a major male star as the lead, it has been given a UA rating instead of the strict a it deserves.

And no guys, it is no longer entertaining when two male actors with fabulous bodies take off their shirts for no reason to engage in fisticuffs. This was a fun device when it was first introduced, especially because for decades before that, male stars had been completely careless about their bodies and it was assumed by both the industry and audiences that only women can and should be objectified. Now though, it is a boring formula. Gentlemen, we love the fact that you work out, so get your scriptwriters to find a more imaginative way now to let you display your sexy torsos, please?

Somewhere in the middle of Dabangg 3, Rajjo tells Chulbul that she will never again force him to take a ’70s-’80s style kasam (oath). Never mind the context. I do wish Bollywood would take a kasam here and now to lay Chulbul Pandey a.k.a. Robinhood Pandey to rest.

Bharat trailer: Salman Khan teases his different looks in Ali Abbas Zafar’s upcoming patriotic drama

After teasing his various looks in a slew of posters from his upcoming Eid release Bharat, Salman Khan has unveiled the first official trailer from the movie on 22 April.

Bharat trailer: Salman Khan teases his different looks in Ali Abbas Zafars upcoming patriotic drama

As Jawaharlal Nehru’s Tryst with Destiny speech plays faintly in the background, Salman’s character is introduced. An old Bharat (Salman) reminiscences — through a voiceover — about his colourful journey, which began amid the violence and bloodshed of the partition. Initially a circus performer, Bharat is forced to seek a job at a government office as the country faces nationwide unemployment in the wake of Nehru’s death.

The actor also shared a collage of all the five previously-unveiled posters in a motion poster on 20 April. Beginning with 1964, where Salman is seen as a young circus performer, the posters take us to 2010, in which he can be seen as a 70-year-old.

Bharat will trace the journey of a man, spanning four decades. Earlier, the makers treated the audience with the teaser, that gives glimpses into the various phases of the film.

An official adaptation of 2014 South Korean film Ode To My Father, Bharat is produced by Atul Agnihotri’s Reel Life Production Pvt Ltd and Bhushan Kumar’s T-Series. It is slated to release on 5 June.

Shah Rukh on Salman Khan’s special cameo in Zero song: Very dignified and loving of him

Mumbai: Bollywood superstar Shah Rukh Khan who unveiled the trailer of his upcoming film Zero on the occasion of his birthday on Friday, 2 November, said that he was touched by the gesture of Salman Khan doing a cameo in the film.

Still from Zero Eid teaser. YouTube screengrab

During the trailer launch of the film when he was asked about how Salman came on board, Shah Rukh told the media: “Anand (L. Rai, Director) has spoken to Katrina (Kaif) regarding this film quite sometimes ago and that time Salman also heard the story.”

“Then Salman called and said that there was this story and hear it. The coincidence is that, when finally, I said yes to the film, after that he said that I will be a part of this film for sure, by doing a song. That was very dignified and loving of him.”

The film also features Anushka Sharma and Katrina Kaif. It is interesting to observe that after Yash Chopra’s Jab Tak Hai Jaan this trio is coming together all over again to execute Rai’s vision.

Talking about her journey Anushka said: “This year I am completing 10 years in Bollywood. I made my debut with Shah Rukh and now after 10 years, in 2018 I am doing another film with him, it is so special and this is how life has come in a full circle.”

In the film Shah Rukh is playing a character of a dwarf and Anushka and Katrina are playing a physically challenged person and an actress respectively.

Bharat: Katrina Kaif replaces Priyanka Chopra; Jackie Shroff to play Salman Khan’s father

After Priyanka Chopra walked out of Salman Khan’s Bharat owing to personal reasons, DNA has reported that Katrina Kaif, who was the makers’ original choice, has joined the cast. A source told the publication that producers Atul and Alvira Agnihotri share a warm relationship with Kaif and when Chopra’s departure from the film was announced, they called Kaif and sorted out her dates. Kaif, who will play the female lead opposite Khan, is expected to join the team in September.

Salman Khan and Katrina Kaif on Bigg Boss 11's Weekend Ka Vaar

DNA also found that Jackie Shroff, who has previously played on-screen dad to Akshay Kumar and Sidharth Malhotra in Brothers, will star as Khan’s father. “It’s essentially a beautiful story of a father and son, so when Jackie was offered the film, he liked the script and gave his nod.” The team is reportedly currently shooting in Mumbai and Shroff will join the crew around the end of September.

However, there has not been an official announcement regarding this development. While Priyanka has opted out of the Salman Khan starrer, she is also shooting for Shonali Bose’s The Sky is Pink alongside Farhan Akhtar and Zaira Wasim.

Bharat also has Tabu, Disha Patani, Sunil Grover in pivotal roles. It is a remake of the 2014 Korean film, Ode to My Father and will release in cinemas on Eid 2019.

Shah Rukh Khan, Salman Khan were Mukta Arts’ popular choice for Subhash Ghai’s Pardes

Filmmaker Subhash Ghai has revealed that he was under pressure to cast Salman Khan, Madhuri Dixit and Shah Rukh Khan for his romantic drama Pardes.

Salman and Shah Rukh do the signature pose on Bigg Boss Weekend Ka Vaar

The 1997 film featured Shah Rukh along with newcomers Mahima Chaudhry and Apurva Agnihotri.

For the role of Ganga (played by Mahima) and NRI Rajiv (played by Apurva), Ghai said his production house wanted Madhuri and Salman respectively.

“After several hits, Trimurti was Mukta Arts’ first flop. When a film flops, the industry is quick to write you off. I decided to write a film in my own style. When the script was over, we were discussing the casting, which was a big problem. My production house thought Shah Rukh could be in the film along with Salman, playing an NRI, and Madhuri would play the central character.

“I had narrated ‘Ganga’s’ character to Madhuri during Khalnayak too. But I wanted newcomers paired with Shah Rukh. His Trimurti had flopped and DDLJ (Dilwale Dulhania Le Jayenge) had worked, so I knew he was a great performer,” Ghai said.

Trimurti released in 1995, helmed by Mukul Anand, featured Shah Rukh along with Anil Kapoor and Jackie Shroff in the lead. The 72-year-old director said though people in his production house wanted the three superstars together, he was not convinced.

“My office wanted me to make the film with Salman, Madhuri and Shah Rukh because then it would be a big film and losses of Trimurti would be covered as well. They were right too. But the director in me wasn’t convinced that we need such a big star cast.

“I said three big stars won’t go well in the script that I have. I wanted someone who looked like he has come from foreign for the NRI part. It was a big challenge but I finally managed to get Mahima, Apurva and Shah Rukh,” he said.

The director was speaking at the special screening of the film, which completed 20 years in August. It was showcased at New Excelsior Cinema, which was recently acquired by Mukta A2 Cinema, a branch of Ghai’s Mukta Arts.

Ghai said another challenge for him once the cast was locked was to present Shah Rukh in a non-romantic role.

“Shah Rukh’s image had turned romantic after DDLJ but this role wasn’t romantic at all. The challenge was to tell Shah Rukh that he won’t be like a romantic hero in any shot.

Dabangg 3: Salman Khan starrer to kick off by middle of 2018, says Arbaaz Khan

Mumbai: National Award-winning filmmaker Arbaaz Khan, who produced the Salman Khan-starring, commercially successful Dabangg series, says that he has started scripting the new sequel of the franchise that will go on the floor in the middle of 2018.

“Yes, we have started scripting the film and I think we will start shooting Dabangg 3 by the middle of the next year,” the actor-filmmaker told the media at the trailer launch of his upcoming film Tera Intezaar.

As Sunny Leone, who is the co-star in the film, was also present, Arbaaz, asked if he is planning to cast her to do an item number like ‘Munni Badnaam’, said, “Yes, why not? And why would she be a Munni, we can cast her for something different, but for that, we have to finalize something.”

Salman Khan in Dabangg (left); Arbaaz Khan (right). Image courtesy: Facebook

Arbaaz has shared his screen space with Sunny for the first time Tera Intezaar and according to him, “one of the reasons I did the film, was to spend some time with Sunny. She is wonderful and we had a great time shooting in abroad”.

Asked about if he is planning to promote the film in Bigg Boss 11, which is hosted by his brother, Bollywood superstar Salman Khan, Arbaaz said, “Well, I think that is the producer to decide. If we have the opportunity, and the Colors channel allows us to do so, why not.”

He added, “Though I do not watch Bigg Boss every day but I like watching the show. Earlier, few seasons, I followed; I watched all episodes when Sunny (Leone) was in the show.”

Salman Khan-Jacqueline Fernandez’s Race 3 might star Sidharth Malhotra, Aditya Roy Kapur

Jacqueline Fernandez had confirmed her involvement in Race 3, alongside Salman Khan, a while ago.

Firstpost had also earlier reported that Sidharth Malhotra might be joining the cast of the action thriller, as the makers are looking for a fresh face with Khan. However, according to a bollywoodhungama.com, apart from Malhotra, Aditya Roy Kapur is also in final talks with producer Ramesh Taurani for a role in the film.

Sidharth Malhotra and Aditya Roy Kapur. Images from AFP.

The two actors have not had an exceptional year at the box office. While Malhotra’s A Gentleman bombed at the box office, Kapur’s Ok Jaanu also failed to leave an impression.

The report suggests that in order to turn the tables in their favour, the two are hoping to get cast alongside Khan’s, in roles that would otherwise be underwhelming considering their star power.

Demanding a remuneration much lesser than what they usually command in the market, both the actors are staggering under the pressure of delivering a hit. However, despite the conjectures, there is no official word of confirmation on these developments.

An inside source also revealed to the publication that Taurani himself does not feel the need to have another male actor alongside Khan.

Bigg Boss 11: Judwaa 2 cast Varun, Taapsee and Jacqueline to join Salman Khan on opening episode

Salman Khan, who is set to host Bigg Boss 11, will have Judwaa 2 actors Varun Dhawan, Jacqueline Fernandez and Taapsee Pannu as his guests during the opening episode of the upcoming show.

Varun Dhawan has stepped into the shoes of Salman, who played a double role in the 1997 film Judwaa, which was also directed by David Dhawan. It has Karishma Kapoor and Ramba in the female lead roles.

Interestingly, Salman was also present on the wrap-up day of Judwaa 2, which is a remake of Judwaa.

Now, the team of Judwaa 2 will visit the original Judwaa superstar on Bigg Boss season 11’s launch episode. The cast will be shooting with Salman on Friday, said the spokesperson of the film.

The show will premiere on October 1 on Colors.

Produced by Sajid Nadiadwala and directed by David Dhawan, Judwaa 2 is presented by Fox Star Studios and Nadiadwala Grandson Entertainment.

The film is slated to release on Friday, 29 September.

From Ranbir Kapoor in Jagga Jasoos, to Salman Khan in Tubelight, stars aren’t afraid to experiment

Editor’s note: With Shah Rukh Khan’s Fan and Salman Khan’s Tubelight not quite hitting the mark in terms of box office success, there are some crucial question we found ourselves thinking about. Is Bollywood’s male movie-star bound by his ‘image’? What happens when stars experiment, and give their fans something ‘new’? What happens when their experiments fail and how do the stars themselves react to this failure? This is part two of a three part analysis on this very idea — what is bigger, the star or the image of the star? 

Also read parts one and two of this series. 

In the just-released Jagga Jasoos, Ranbir Kapoor plays a Tintin-esque detective. The film itself is cast in the mould of a Broadway musical, not seen before in Bollywood, and includes 21 songs.

Ranbir’s played varied roles before — be it the coming-of-age Wake Up Sid or the everyman in Rocket Singh: Salesman of the Year, and even Tamasha. Still, Jagga Jasoos is an ‘experiment’ for the actor.

What’s interesting that this ‘experimentation’ is being engaged in by actors across the spectrum in the Hindi film industry. Just a few weeks ago, we had Salman Khan playing a man with developmental difficulties in Tubelight. While that film flickered out at the box office, it was an attempt on Salman’s part to do a role different from his usual larger-than-life onscreen image. Meanwhile, his contemporary Shah Rukh Khan is also trying something different with Aanand L Rai’s next, in which he plays a dwarf; while Aamir Khan has — yet again — transformed himself entirely for his role in Thugs of Hindostan. Images of Aamir sporting long hair and a nosepin are already doing the rounds on social media.

A mere four years in the industry, and a Varun Dhawan can pull off a Badlapur, while a Sidharth Malhotra an work on an experimental thriller like Ittefaq.

Ranbir Kapor in Jagga Jasoos; Salman Khan in Tubelight. Images via Facebook, Twitter

Meanwhile, Ranveer Singh can charm viewers in an offbeat Lootera and play a rapper from the streets in Zoya Akhtar’s Gully Boys. And an ‘outsider’ like Sushant Singh rajput can break into the Bollywood big league with unconventional films like Kai Po Che, Shuddh Desi Romance and Detective Byomkesh Bakshy! 

Forty years ago, this would have been unimaginable. One could hardly conceive of an Amitabh Bachchan or Dharmendra — at the height of their superstardom — playing differently-abled characters in a film that had no romantic angle. There would always be a song-and-dance routine with a Rekha in Ghazab, or the metamorphosis of dim-witted Kallu into dashing Kaalia. They would, undoubtedly, give the greatest of performances, but in conventional vehicles like Deewar, Pratigyaa and Chupke Chupke.

But playing a differently-abled character in a realistic drama… well, that kind of experimentation was best left to a Sanjeev Kumar, as in the 1970 release Khilona. It was up to a Balraj Sahni to play a landless labourer in a stark drama like Do Bigha Zameen, while a Dilip Kumar and Raj Kapoor — as great as they were — displayed their histrionics in larger-than-life films like Mughal-E-Azam and Awara. Or Naseeruddin Shah, who played a visually impaired man in Sparsh, while Vinod Khanna or Jeetendra bashed up baddies and romanced heroines in their films. But today, if Randeep Hooda or Nawazuddin Siddiqui are experimenting with their roles, so are the big stars like Salman, Shah Rukh.

It is not at all a coincidence that Aamir’s Lagaan, a film where a major Bollywood star experimented with both form as well as content, came within a decade of economic liberalisation, exposure to satellite television and invasion of the internet, followed by the multiplex revolution. The audience was changing and the stars were quick to realise it. Aamir tried to follow the same experimental route with Mangal Pandey — and though it proved less successful, he continued down that route.

Shah Rukh made the attempt with Swades, although it was Chak De India that proved to be his first major ‘experimental’ success. He continued walking off the beaten path with Karan Johar’s My Name is Khan and more recently, Yash Raj Films’ Fan. Salman may have started late, but he seems to be making up for lost time with Bajrangi Bhaijaan, Sultan and Tubelight. And if an Ajay Devgn has a Drishyam in his kitty, then Bollywood’s ultimate khiladi, Akshay Kumar has made it a point to pick unique subjects with films like Toilet: Ek Prem Katha, Padman and Gold. 

These are definitely good times to be a Bollywood (film) viewer. We are fortunate to watch our favourite actors in unusual and experimental roles in an image-obsessed industry. As horizons have expanded, and tastes have evolved, it’s no longer a stretch for viewers to see their favourite stars go from playing the typical romantic/action hero to ageing wrestlers — or dwarves.

Tubelight: How much Salman Khan will earn from the film (whether or not it’s a hit)

It wouldn’t be wrong to say that after the Dangal and Baahubali mania, the next film to do justice to the term “most-awaited” would be Salman Khan and Kabir Khan’s Tubelight.

There’s been much buzz about the film. In Tubelight, set against the backdrop of the Indo-China war of 1962, Salman plays a do-gooder who is very close to his brother. He’s a little slow, and is therefore called a Tubelight by everyone. The film also stars Chinese actress Zhu Zhu and Sohail Khan. The film is a remake of Little Boy.

Given the massive success of two big Bollywood films globally, Dangal and Baahubali, it is being touted that bigger opportunities have opened for future Bollywood films globally.

DNA reports that Salman is planning a grand release in China and premier for Tubelight, and since the film already has a Chinese connect (it has multiple Chinese actors), the box office collections are expected to sky rocket. With Zhu Zhu being a big name, trade experts are predicting 700-800 crore collections from China itself.

And so, the big question on everyone’s mind is, how much of this profit will Salman Khan be pocketing for himself?

A source from the crew of Tubelight has revealed that the film has been made at a budget of Rs 170 crore, and Salman Khan has taken a signing amount of Rs 60 crore. This is due to the fact that all his films bag satellite rights worth Rs 60 crore, which is regardless of its box office fate.

It was further revealed that Salman will also be bagging half the profits of the film. This could also be because he is the producer on the film, as Tubelight is jointly produced by Kabir Khan Films and Salman Khan Productions. (Please note that these figures are not verified by the makers of the film).