When was the last time you saw a hero make an entrance on a bike as the heroine runs down an alley in the most flowing gown possible? Yeah, very often — that’s a Bollywood prototype for portraying young lovers? Paying a tribute to that model is T-Series’ recent standalone track — ‘Harjai’ featuring TV anchor-turned-actor Maniesh Paul and singer-TV host Iulia Vantur.
What’s special about this new song? Nothing! Be it the tune, the lyrics, the video, the tone — we have already seen it umpteen number of times in Bollywood films. The underlying narrative amid these visuals also tell a story that is nothing new. The couple meets, develops a bond, there comes a break and they reunite.
The only surprise element in the whole song is the fact that Paul and Vantur have both sung the song along with composer-lyricist Sachin Gupta. Both of them have done a rather good job behind the mic. The auto-tuning bit on the track is pretty evident, but the singers still manage to pull off a decent job.
That’s about it. Apart from their singing, there’s nothing that works for them. Their “chemistry” is as nonreactive as it could get.
Bank Chor, the new comedy from Y-Films, the youth wing of Yash Raj films, has been steadily releasing songs from its OST.
The fourth song from the film has now been released as well.
Titled ‘BC Rap Knockout: Mumbai vs Delhi‘, the track takes the form of a rap battle between two teams — one from Delhi and one from Mumbai. The song is a musical bout with both teams throwing barbs at each other about their respective cities, but done as banter through rap punches. Olympian boxer Vijender Singh leads the Delhi side in the rap battle whereas Bank Chor lead actor Riteish Deshmukh captains Team Mumbai.
‘BC Rap Knockout‘ is a thumping, energetic number. Incidentally, the theme of the song reflects one of the running gags in the film — Riteish’s character Champak, who hails from Chinchpokli, is shown constantly squabbling with his sidekicks Genda and Gulab, who hail from NCR, about which is better: Mumbai or Delhi.
Hear the song here, when it releases.
Comparison is the fuel of Bollywood at the moment, what with the many clashes (read: Mohenjo Daro and Rustom; ADHM and Shivaay) we have seen in 2016. However — and we never thought we would say this before its release — Aamir Khan’s Dangal seems to be doing everything right, where Salman Khan’s Sultan went wrong.
Allow us to elucidate.
After its intriguing trailer, Dangal‘s first song, ‘Haanikarak Baapu‘ revolves around Aamir Khan coaching his daughters to become competent wrestlers. The song is shot and sung from the girls’ point of view, where they seen working out really hard, training their bodies to be wrestlers, and facing the wrath of Aamir, who is shown to be brutal with them in their training.
You don’t need us to tell you that Aamir can really act. He plays the stern father part with complete conviction, and it works well for a song that laments about this very fact.
‘Haanikarak Baapu’ is peppered with dialogues; Sakshi Tanwar, who plays Aamir’s wife and mother to the girls, has her Haryanvi accent bang on. Aamir rocks a dad bod (an elderly man with a paunch and a flawed, yet desirable body, for the uninitiated) in this film, much like Salman in Sultan. However, he is a lot more nonchalant about it.
The song itself is catchy, and we’re sure kids will love it, but the real champion of ‘Haanikarak Baapu’, and by extension Dangal, is its nuanced and unbiased portrayal of the fact that it is actually two girls who Aamir trains; his daughters.