Finally, the much-awaited song, actually remake, O Saki O Saki from Batla House is out. The hype around the number is huge, especially after the magic Nora Fatehi created with Dilbar Dilbar. Koena Mitra, the actress on whom the original song was filmed tweeted that the new one sounded like a mess. That also generated attention for the video. Coming to the actual remake itself, Nora Fatehi looks and dances like a Goddess. Her grace, flexibility and sensuousness keep your eyes fixated on her. With that rose, sequinned bustier top and red skirt, Nora Fatehi looks like a sexy gypsy lady, just as we see in the movies. It will instantly remind you of some songs of the ’90s. Coming to the picturization, it is nothing innovative per se. The new version has been sung by Tulsi Kumar, Neha Kakkar and B Praak. The track has been recreated and written by Tanishk Bagchi while the original was composed by Vishal- Shekhar. It has some new lyrics but the sound is that of the original.
The old one from the film Musafir was way ahead of its time in terms of sound, dance and picturization. Koena Mitra exuded a lot of oomph and though they may not be a prolific a dancer as Nora did complete justice to the beats and rhythm of the number. And she did a step that was just like what Urvashi Rautela did in Aashiq Banaya Aapne in 2018. And it was sung by two powerhouses, Sukhwinder Singh and Sunidhi Chauhan. In the new one, we miss their vocals and of course, the presence of Sanjay Dutt who added the swag. Music wise, the original is still better.
BL Verdict: However, the new version of O Saki O Saki is one of the best ones we are hearing this year. It might not be as creative as the new version of Ek Ladki Ko Dekha Toh Aisa Laga but is good. It will rank along with the likes of Yeh Jawaani remake in Student Of The Year 2. Stay tuned to BL for more scoops and updates!
The first song from Vidyut Jammwal-starrer Junglee, ‘Fakeera Ghar Aaja’, is a wistful homecoming song that reminds one of one’s roots. The much-awaited action adventure film is a unique tale about the relationship between one man and his herd of elephant friends.
‘Fakeera Ghar Aaja’ begins with Vidyut Jammwal rowing down a river to his picturesque childhood home, which he had left behind to pursue martial arts. From the thick foliage that skirt the hamlet to the damp soil, everything around him reeks of fond memories of his growing up years. His home is spruced up with marigold flowers and mango leaves to celebrate a wedding ceremony. In the midst of the laughter and merriment, there is a growing fondness between Jammwal and Pooja Sawant’s characters.
‘Fakeera Ghyar Aaja’ also sheds light on the relationship of the majestic tusker Bhola and his human friend.
The song has been composed by Sameer Uddin, sung by Jubin Nautiyal and penned by Anvita Dutt.
Directed by Chuck Russell, known for his popular films The Mask and The Scorpion King, and produced by Vineet Jain, Junglee is slated to release on 29 March.
Kriti Sanon’s upcoming Dinesh Vijan production, Luka Chhupi, is about to hit the screens. But the actress also seems excited about something else. Sanon will be perform a special number in Abhishek Varman’s multi-starrer period drama Kalank, state reports.
The song will feature Kriti along with the two lead actors of the film, Varun Dhawan and Aditya Roy Kapur. The shooting of the song was reportedly done in June 2018.
Talking about the song, Kriti tells Mirror that the feel of the song is a combination of ‘Kajra Re’ (from Bunty Aur Babli) and ‘Ghagra’ (from Yeh Jawaani Hai Deewani). This will be Kriti’s second association with Varun after Rohit Shetty’s Dilwale, which featured Shah Rukh Khan and Kajol as the leads.
“Since Kalank is a period film, you will see me in a very different avatar. In fact, this is the first time that Manish Malhotra, who I have been telling since my modelling days to do a film with me, has styled me for a song,”
the actress says.
The other period drama that Kriti will be a part of is Ashutosh Gowariker’s historical drama Panipat, where the actress will be feature opposite Arjun Kapoor. The feature recently went on the floors. Kriti is also reportedly preparing for her second schedule of the film which begins next week in Jaipur, Rajasthan.
If you thought that you were done with remixes for the year, lo and behold! Another ’90s chartbuster, this time, Urmila Matonkar’s hit song ‘Chamma Chamma’ has been revamped by the makers of Fraud Saiyyan to give it an Elli Avram twist.
Whether or not remixes are good, bad or ugly is a debate for a different occasion, but what is jarring about this number is not its overuse of led-bulbs or the drowning percussion. It is the blatant objectification of the former Bigg Boss contestant, whose dancing skills are not the focus of the song. AT ALL! From skimpy clothes to close-up camera shots that seem to hug her body at different obtuse angles, the makers have done it all to live up to the infamous ‘item number’ tag.
It is perhaps important to note that the only time the camera seems to zoom out of the different contours of Avram’s body is when Arshad Warsi is injected into the frame. Surely enough, no such treatment is given to Warsi.
Neha Kakkar, who has almost become synonymous with party numbers, has lent her voice to this ‘Chamma Chama’ version, along with Romi, Arun & Ikka. It has been recreated by Tanishk Bagchi.
Fraud Saiyyan is slated to release on 18 January.
Mumbai: Bollywood superstar Shah Rukh Khan who unveiled the trailer of his upcoming film Zero on the occasion of his birthday on Friday, 2 November, said that he was touched by the gesture of Salman Khan doing a cameo in the film.
During the trailer launch of the film when he was asked about how Salman came on board, Shah Rukh told the media: “Anand (L. Rai, Director) has spoken to Katrina (Kaif) regarding this film quite sometimes ago and that time Salman also heard the story.”
“Then Salman called and said that there was this story and hear it. The coincidence is that, when finally, I said yes to the film, after that he said that I will be a part of this film for sure, by doing a song. That was very dignified and loving of him.”
The film also features Anushka Sharma and Katrina Kaif. It is interesting to observe that after Yash Chopra’s Jab Tak Hai Jaan this trio is coming together all over again to execute Rai’s vision.
Talking about her journey Anushka said: “This year I am completing 10 years in Bollywood. I made my debut with Shah Rukh and now after 10 years, in 2018 I am doing another film with him, it is so special and this is how life has come in a full circle.”
In the film Shah Rukh is playing a character of a dwarf and Anushka and Katrina are playing a physically challenged person and an actress respectively.
When was the last time you saw a hero make an entrance on a bike as the heroine runs down an alley in the most flowing gown possible? Yeah, very often — that’s a Bollywood prototype for portraying young lovers? Paying a tribute to that model is T-Series’ recent standalone track — ‘Harjai’ featuring TV anchor-turned-actor Maniesh Paul and singer-TV host Iulia Vantur.
What’s special about this new song? Nothing! Be it the tune, the lyrics, the video, the tone — we have already seen it umpteen number of times in Bollywood films. The underlying narrative amid these visuals also tell a story that is nothing new. The couple meets, develops a bond, there comes a break and they reunite.
The only surprise element in the whole song is the fact that Paul and Vantur have both sung the song along with composer-lyricist Sachin Gupta. Both of them have done a rather good job behind the mic. The auto-tuning bit on the track is pretty evident, but the singers still manage to pull off a decent job.
That’s about it. Apart from their singing, there’s nothing that works for them. Their “chemistry” is as nonreactive as it could get.
Bank Chor, the new comedy from Y-Films, the youth wing of Yash Raj films, has been steadily releasing songs from its OST.
The fourth song from the film has now been released as well.
Titled ‘BC Rap Knockout: Mumbai vs Delhi‘, the track takes the form of a rap battle between two teams — one from Delhi and one from Mumbai. The song is a musical bout with both teams throwing barbs at each other about their respective cities, but done as banter through rap punches. Olympian boxer Vijender Singh leads the Delhi side in the rap battle whereas Bank Chor lead actor Riteish Deshmukh captains Team Mumbai.
‘BC Rap Knockout‘ is a thumping, energetic number. Incidentally, the theme of the song reflects one of the running gags in the film — Riteish’s character Champak, who hails from Chinchpokli, is shown constantly squabbling with his sidekicks Genda and Gulab, who hail from NCR, about which is better: Mumbai or Delhi.
Hear the song here, when it releases.
Comparison is the fuel of Bollywood at the moment, what with the many clashes (read: Mohenjo Daro and Rustom; ADHM and Shivaay) we have seen in 2016. However — and we never thought we would say this before its release — Aamir Khan’s Dangal seems to be doing everything right, where Salman Khan’s Sultan went wrong.
Allow us to elucidate.
After its intriguing trailer, Dangal‘s first song, ‘Haanikarak Baapu‘ revolves around Aamir Khan coaching his daughters to become competent wrestlers. The song is shot and sung from the girls’ point of view, where they seen working out really hard, training their bodies to be wrestlers, and facing the wrath of Aamir, who is shown to be brutal with them in their training.
You don’t need us to tell you that Aamir can really act. He plays the stern father part with complete conviction, and it works well for a song that laments about this very fact.
‘Haanikarak Baapu’ is peppered with dialogues; Sakshi Tanwar, who plays Aamir’s wife and mother to the girls, has her Haryanvi accent bang on. Aamir rocks a dad bod (an elderly man with a paunch and a flawed, yet desirable body, for the uninitiated) in this film, much like Salman in Sultan. However, he is a lot more nonchalant about it.
The song itself is catchy, and we’re sure kids will love it, but the real champion of ‘Haanikarak Baapu’, and by extension Dangal, is its nuanced and unbiased portrayal of the fact that it is actually two girls who Aamir trains; his daughters.